Overview
One of the first critiques of Stalinism from within the communist movement, The Novel of a Novel is a memoir in the form of a journal. It was first published in Yugoslavia in 1955 based on the journal, letters, clippings, and other materials kept by the Hungarian-Jewish novelist Ervin Sinkó during his two years in Moscow between 1935 and 1937, years in which the Soviet cultural policy of the Popular Front was giving way to the Great Terror. Sinkó and his wife travelled to the home of socialism with great hopes. He had just completed his novel Optimists on the Hungarian Revolutions of 1918–1919 but could not find a publisher for it in Depression-era Paris. He went to Moscow at the urging of Romain Rolland and at the invitation of VOKS, both promoters of the Soviet Union as the center of a new civilization. Sinkó's optimism however soon gave way to grave doubts. Fearful publishers kept him in limbo and starving despite the support that Sinkó had from Béla Kun and Alfred Kurella of the Comintern. Sinkó deplored the over-centralization of cultural policy, attacks against the avant-guard, the forcing of Socialist Realism, the cult of Stalin, the reverses on abortion, the development of a privileged class of managers and Stakhanovist workers, and finally, the advent of the show trials. He tried to understand these developments through conversations with a great many people of the German and Hungarian communist diasporas, the visiting French Left, and local Russians among whom he was allowed to live. In the second year of his stay, the Sinkós shared an apartment with the writer Isaac Babel and his wife, Pirizhkova. The story of the tragic misunderstanding that ensued between the two men reveals much about Babel's difficult situation and about the limits of Sinkó's understanding of the Terror. The Sinkós were fortunate to be expelled from the country. But even back in France, Sinkó was prevented by his fear of the fascist threat from openly criticizing the Soviet Union. It was a miracle that the couple survived both the terror and the Holocaust.
Full Product Details
Author: Ervin Sinkó ,
George Deák
Publisher: Bloomsbury Publishing Plc
Imprint: Lexington Books
Edition: Abridged edition
Dimensions:
Width: 15.80cm
, Height: 3.40cm
, Length: 23.80cm
Weight: 0.739kg
ISBN: 9781498546362
ISBN 10: 1498546366
Pages: 380
Publication Date: 20 March 2018
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
Ervin Sinko's combination of diary and memoir is a riveting and insightful read about life in Moscow during the early years of Stalin's terror. Many of the prominent acquaintances he writes about became victims of the 'chistka, ' or Soviet purge. The historian George Deak's masterful abridged translation does justice to the original work, which is an important eyewitness contribution to the understanding of a crucial era.--Peter Pastor, Montclair State University An astonishing book. It is astonishing that Ervin Sink� kept such a witheringly sincere diary during the purges in Moscow, and astonishing that he was able to preserve it. His endless, forbidding, and frustrating encounters with Soviet bureaucrats slowly erode his faith in Soviet rule and stoke his disillusionment, just as arrests, trials, and a corrosive fear enveloped his circle of friends. Sink�'s meetings with several iconic figures, among them Isaac Babel and Mikhail Koltsov, the visiting Romain Rolland, along with glimpses of Sergei Eisenstein and Solomon Mikhoels, are a unique source of insight and information about life in Stalin's ruthless kingdom. Faced with the rising threat of fascism, Sink� wanted to hold onto his faith in the Soviet Union but he was too honest with himself to disregard the reality that never stopped slapping him in the face.--Joshua Rubenstein, Harvard University Ervin Sink�'s combination of diary and memoir is a riveting and insightful read about life in Moscow during the early years of Stalin's terror. Many of the prominent acquaintances he writes about became victims of the 'chistka, ' or Soviet purge. The historian George De�k's masterful abridged translation does justice to the original work, which is an important eyewitness contribution to the understanding of a crucial era.--Peter Pastor, Montclair State University A frank and sober witness testimony by a Western revolutionary writer written in the Soviet Union in 1935-37, in the days of growing repression and political purges. Ervin Sink�'s contemporary diaries were written under unique circumstances, as the writer struggled in the Kafkaesque maze of the Soviet 'cultural' and literary labyrinth. Sink� has put on record controversial public and private debates about the Moscow Trials amongst the major Western supporters of the Soviet Union--Romain Rolland, Andr� Malraux, Jean-Richard Bloch, and others. His account of the fear-induced behaviors by the Soviet cultural elite--Maxim Gorky, Isaac Babel, Sergey Eisenstein, Mihail Koltsov, Sergey Tret'yakov, and the 'cultural ' institutions leaders official Alexandr Arosev (VOKS) and Mikhail Apletin (Foreign Commission of the Soviet Writers' Union)--is particularly striking. A new light is shed on the actions of the Western Comintern members Bela Kun, Alfred Kurella, and other foreign communists as the Comintern was heading towards a massive purge.--Ludmila Stern, University of New South Wales 'It is not easy to be a revolutionary in the country of the victorious revolution.' Ervin Sink�'s diary of the two years he spent in Stalin's Moscow at the time of the show trials is a jewel, offering a very rare account of the dilemmas and contradictions faced by a Central European anti-fascist intellectual confronted by the realities of Soviet life and politics. Sink� analyzes with great lucidity how the regime molds its citizens' behavior and worms itself into their minds. A denizen of Moscow's literary and cinematic world, he also gives the reader a vivid picture of the anxiety, compromise, and defiance involved in surviving as an artist and a human being. With a brilliant introduction by translator George De�k, this is an essential book on the utopian hopes invested in the Russian Revolution, and their disappointment.--Brigitte Studer, University of Bern
An astonishing book. It is astonishing that Ervin Sinko kept such a witheringly sincere diary during the purges in Moscow, and astonishing that he was able to preserve it. His endless, forbidding, and frustrating encounters with Soviet bureaucrats slowly erode his faith in Soviet rule and stoke his disillusionment, just as arrests, trials, and a corrosive fear enveloped his circle of friends. Sinko's meetings with several iconic figures, among them Isaac Babel and Mikhail Koltsov, the visiting Romain Rolland, along with glimpses of Sergei Eisenstein and Solomon Mikhoels, are a unique source of insight and information about life in Stalin's ruthless kingdom. Faced with the rising threat of fascism, Sinko wanted to hold onto his faith in the Soviet Union but he was too honest with himself to disregard the reality that never stopped slapping him in the face.--Joshua Rubenstein, Harvard University Ervin Sinko's combination of diary and memoir is a riveting and insightful read about life in Moscow during the early years of Stalin's terror. Many of the prominent acquaintances he writes about became victims of the 'chistka, ' or Soviet purge. The historian George Deak's masterful abridged translation does justice to the original work, which is an important eyewitness contribution to the understanding of a crucial era.--Peter Pastor, Montclair State University A frank and sober witness testimony by a Western revolutionary writer written in the Soviet Union in 1935-37, in the days of growing repression and political purges. Ervin Sinko's contemporary diaries were written under unique circumstances, as the writer struggled in the Kafkaesque maze of the Soviet 'cultural' and literary labyrinth. Sinko has put on record controversial public and private debates about the Moscow Trials amongst the major Western supporters of the Soviet Union--Romain Rolland, Andre Malraux, Jean-Richard Bloch, and others. His account of the fear-induced behaviors by the Soviet cultural elite--Maxim Gorky, Isaac Babel, Sergey Eisenstein, Mihail Koltsov, Sergey Tret'yakov, and the 'cultural ' institutions leaders official Alexandr Arosev (VOKS) and Mikhail Apletin (Foreign Commission of the Soviet Writers' Union)--is particularly striking. A new light is shed on the actions of the Western Comintern members Bela Kun, Alfred Kurella, and other foreign communists as the Comintern was heading towards a massive purge.--Ludmila Stern, University of New South Wales 'It is not easy to be a revolutionary in the country of the victorious revolution.' Ervin Sinko's diary of the two years he spent in Stalin's Moscow at the time of the show trials is a jewel, offering a very rare account of the dilemmas and contradictions faced by a Central European anti-fascist intellectual confronted by the realities of Soviet life and politics. Sinko analyzes with great lucidity how the regime molds its citizens' behavior and worms itself into their minds. A denizen of Moscow's literary and cinematic world, he also gives the reader a vivid picture of the anxiety, compromise, and defiance involved in surviving as an artist and a human being. With a brilliant introduction by translator George Deak, this is an essential book on the utopian hopes invested in the Russian Revolution, and their disappointment.--Brigitte Studer, University of Bern
Author Information
Ervin Sinkó (1898–1967) was a Hungarian writer and intellectual. George Deák received his PhD in history from Columbia University.
