The Novel in German since 1990

Author:   Stuart Taberner (University of Leeds)
Publisher:   Cambridge University Press
ISBN:  

9781107449305


Pages:   318
Publication Date:   26 June 2014
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Novel in German since 1990


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Overview

Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yadé Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German.

Full Product Details

Author:   Stuart Taberner (University of Leeds)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.20cm , Height: 1.70cm , Length: 22.90cm
Weight:   0.430kg
ISBN:  

9781107449305


ISBN 10:   1107449308
Pages:   318
Publication Date:   26 June 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction: the novel in German since 1990 Stuart Taberner; 2. Robert Schindel's Gebürtig (Born-Where) Helmut Schmitz; 3. Günter Grass's Ein weites Feld (Too Far Afield) Rebecca Braun; 4. Thomas Brussig's Helden wie wir (Heroes Like Us) Anna Saunders; 5. Christa Wolf's Medea: Stimmen (Medea: A Modern Retelling) Georgina Paul; 6. Zafer Şenocak's Gefährliche Verwandschaft (Perilous Kinship) Moray McGowan; 7. Monika Maron's Endmoränen (End Moraines) Katharina Gerstenberger; 8. Martin Walser's Ein springender Brunnen (A Gushing Fountain) Kathrin Schödel; 9. Michael Kleeberg's Ein Garten im Norden (A Garden in the North) Stephen Brockmann; 10. Christian Kracht's Faserland (Frayed-Land) Julian Preece; 11. Elfriede Jelinek's Gier (Greed) Helen Finch; 12. Karen Duve's Dies ist kein Liebeslied (This is Not a Love-Song) Alison Lewis; 13. Herta Müller's Herztier (The Land of Green Plums) Lyn Marven; 14. W. G. Sebald's Austerlitz Mary Cosgove; 15. Walter Kempowski's Alles umsonst (All for Nothing) Karina Berger; 16. F. C. Delius's Mein Jahr als Mörder (My Year as a Murderer) Anne Fuchs; 17. Yadé Kara's Selam Berlin Petra Fachinger; 18. Daniel Kehlmann's Die Vermessung der Welt (Measuring the World) Stuart Taberner; 19. Günter Grass's Beim Häuten der Zwiebel (Peeling the Onion) Monika Shafi; Works cited; Index.

Reviews

'... a volume for which one would wish a readership as attentive as its contributors are perspicacious.' David Midgley, Modern Language Review


Author Information

Stuart Taberner is Professor of German at the University of Leeds.

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