Awards

• Short-listed for LA Times Book Prize 2014 (UK)
• Short-listed for Los Angeles Times Book Prize 2014
• Short-listed for Miles Franklin Award 2014 (UK)
• Short-listed for Miles Franklin Literary Award 2014
• Short-listed for Stella Prize 2014
• Shortlisted for Los Angeles Times Book Prize 2014.
• Shortlisted for Miles Franklin Literary Award 2014.
• Shortlisted for Stella Prize 2014.
• Winner of Barbara Jefferis Award 2014.

Overview

Shortlisted for the Guardian First Book Award Winner of the inaugural Voss Literary Prize Joint winner of the Barbara Jefferis Award In an isolated house on the New South Wales coast, Ruth, a widow whose sons have flown the nest, lives alone. Until one day a stranger bowls up, announcing that she's Frida, sent to be Ruth's carer. At first, Ruth welcomes Frida's vigorous presence and her willingness to hear Ruth's tales of growing up in Fiji. She even helps reunite Ruth with a childhood sweetheart. But why does Ruth sense a tiger prowling through the house at night? Is she losing her wits? Can she trust the enigmatic Frida? And how far can she trust herself?

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Reviews

This debut novel stands out among the year's strongest so far, with its delicately told story of two women whose lives temporarily entwine: one an ageing widow, the other a larger-than-life carer who inveigles herself into the widow's emotional life - and home. Its cool, controlled prose explores the intersections between dementia, unreliable narration, and elderly exploitation, regarding loss, ageing and racial tension without a hint of cliche. And it's a tension-filled psychological thriller to boot, all inspiring the use of that overused phrase 'a must read'. Independent on Sunday Horribly believable, The Night Guest is an impressive debut novel that sustains the tense unravelling of its mystery. The Sunday Times This psychological thriller feels uneasily close to the realities many families face ... What's real and what's imagined are terrifyingly difficult to distinguish. It's surreal and menacing. The Times McFarlane exploits the vulnerably blurry boundaries of memory here to create a subtle and beguiling crescendo of suspense ... A limpid, beautiful novel. Daily Mail A witty, poetic psychological thriller in which the reader becomes so firmly embedded in Ruth's mind that one cannot help but sympathise with her confusion Financial Times A powerfully distinctive narrative about identity and memory, the weight of life and the approach of death Guardian Beautifully written and psychologically tense ... extraordinarily accomplished Sunday Express

[A] glittering debut ... The Night Guest's precise and elegant prose has been praised ... but what really stands out is its portrayal of one life lived, told with a fullness that is reminiscent of another masterful antipodean novel - Emily Perkins's The Forrests. What is most tenderly depicted is Ruth's backward reflection on her life choices - her marriage, unfulfilled romances, her role as wife and mother. This forms the heart of the book, outside the thriller-ish plot, and it is rendered with extraordinary maturity for such a young writer. Arifa Akbar, Independent McFarlane deploys her unreliable narrator skilfully, confining the reader to Ruth's increasingly bewildered consciousness while heightening the menacing threat posed by Frida. Horribly believable, The Night Guest is an impressive debut novel that sustains the tense unravelling of its mystery. The Sunday Times A sensitive exploration of the workings of time and memory, by turns joyful and sad, and sustained throughout by clear and delicate prose ... Ruth's viewpoint delivers tremendous insight and empathy ... The Night Guest is a wonderfully evoked portrait of old age that disturbs and elevates in equal measure. The symbolic tiger, frightening, untameable, but awe-inspiring, is an important aspect of its power. Rachel Hore, Independent on Sunday This psychological thriller feels uneasily close to the realities many families face ... What's real and what's imagined are terrifyingly difficult to distinguish. It's surreal and menacing. Fiona Wilson, The Times McFarlane exploits the vulnerably blurry boundaries of memory here to create a subtle and beguiling crescendo of suspense. Facts shift like the dunes beyond the back door. A limpid, beautiful novel. Victoria Moore, Daily Mail Fiona McFarlane's debut novel is a conundrum for the reviewer - a book with a plot which, when summarised, suggests little of its charm, wit, and suspenseful energy ... this is a witty, poetic psychological thriller in which the reader becomes so firmly embedded in Ruth's mind that one cannot help but sympathise with her confusion ... The question of Frida's integrity, or lack of it, gives the book its narrative edge; but its joy comes from McFarlane's language, which perfectly captures Ruth's old-fashioned, gently rebellious spirit, and the almost enjoyable onset of vagueness ... This is a very moving description of old age Emily Stokes, Financial Times How much torment can you bear before you put a novel down? For a reader unsure of the thickness of their skin, Fiona McFarlane's promising debut may provide the answer to the millimetre. Literary Review Addressing our fear of isolation in a world where families are increasingly scattered, The Night Guest is a suspenseful debut novel that holds you in its powerful jaws throughout. Psychologies (Book of the Month) Like a Hitchcock film, this psychological study of manipulation is poetically tense. This is a seriously creepy read ... A wonderfully devious novel that will leave you feeling slightly unnerved. Marie Claire The Night Guest is as moving as it is unsettling and suspenseful, thanks to the way Fiona McFarlane sensitively portrays elderly widow Ruth's struggles to cope on her own. Good Housekeeping At once a disturbing thriller and a meditation on ageing, trust and fear, this is an unsettling story that stalks the mind. Tatler The Night Guest is such an accomplished and polished debut. There's a delicacy and poignancy to the writing, combined with almost unbearable suspense. I love books in which I have no idea what's going to happen next! Kate Atkinson I absolutely loved it, one of the best books, never mind debuts, I've read in a very long time. Astonishingly brilliant, I read it a month ago and it's still with me. Evie Wyld An extraordinary book in which the heroine, Ruth, not yet aware that isolation is a dangerous luxury, exchanges the world's turmoil for silence, in the hope that the essence of things will reveal a small part of its mystery. It is deeply disturbing, and exquisitely written - full of joy and melancholy - and I willingly accept that I will be haunted by its beauty and its truths for a long time to come. The story is told with a certain inevitability, yet at the same time, it surprises, confounds, and torments. It can't be! I kept thinking, when all the while, I knew, of course, that it was just what I feared - a rapturous, fearsome fable of grief and love. Susanna Moore An extraordinary novel. At once a tender thriller and an exquisitely constructed meditation on time and memory, it is propelled by sentence after sentence of masterful prose. With The Night Guest, Fiona McFarlane announces herself as a writer to be read, admired, and read again. Kevin Powers A gripping new thriller that plays on the fears of old age and isolation. Stylist Sometimes a debut novel burns brighter than the rest, and offers up the promise of literary greatness. The Night Guest is one of these books. Through impeccable narrative control and deft manipulation of the reader's experience, McFarlane opens Ruth's mind to us, leads us into this foreign world, and makes us feel Ruth's terrifying, infuriating disorientation. In doing so, she achieves that great object of fiction - empathy, compassion for a different human life. The Night Guest is an important and exciting first novel by an Australian writer of rare talent. Or, as we might say down under: a bloody good read. James McNamara, Los Angeles Review of Books An enrapturing debut novel that toys with magical realism while delivering a fresh fable ... McFarlane's rendering of Ruth's interior is quiet and exacting, and she builds suspense so gently that the danger is, at first, hardly noticeable ... A pleasurable novel, with turns of plot and phrase both startling and elegant. Kirkus (starred review) Rich and suspenseful ... This book is at once a beautifully imagined portrait of isolation and an unsettling psychological thriller. Publishers Weekly (starred review) Gothic in sensibility, with a touch of magic realism, this novel feels at once like a classic and a fresh, original tale Library Journal (starred review) An enthralling psychological thriller in which every gesture and detail is loaded with meaning. This stellar debut will haunt you - and remind you to call your mother. Entertainment Weekly McFarlane's pitch-perfect narration gives us a marvelous window into Ruth ... The Night Guest is a stellar debut, a master class in narrative skill and a beautiful character portrait. New York Daily News Impressive ... McFarlane is in complete control ... dotting her narrative with careful, cumulative details like a pointillist painter ... There's precision in her choice of words and their sense of anticipation dangles the reader over the lip of every page ... [The novel] is a clear sighted and compelling exploration of the metaphors and realities of ageing with all its anxiety and wobbly paranoia, and you love Ruth as you travel with her to the book's end and the dreadful pragmatism of familial grief. Weekend Australian An assured, elegiac first novel ... McFarlane gives an uncanny sense of Ruth's onset of dementia ... An exceptional debut by a writer of great talent. West Australian Haunting ... When I finished the novel I was taken by [McFarlane's] skill. Now I'm mesmerised by it ... While McFarlane pulls the most stirring emotional strings with ease, she tells a poignant, unsettlingly beautiful story that still keeps me up at night. Booktopia [A] quiet, unnerving and beautiful first novel ... The Night Guest is a debut of uncommon assurance ... It seems to rise above the shiny trivia of the last decade's novels ... and do what serious fiction can: leave you more interested in the world, more conscious of its enigmas of love and memory, than you were before you read it. Chicago Tribune Is reality something which exists independent of us in the world, or that which we create in the prisms of our minds? The Night Guest is a beautifully textured novel built around this basic philosophical question. It is a book which reads like a psychological thriller but in the end transcends that category to be a portrait of the isolation, but also the sense of revelation that can accompany old age. The Daily Beast

Author Information

Fiona McFarlane's first novel, The Night Guest, won several prizes including the Voss Literary Prize and New South Wales Premier's Award, and was shortlisted for the Guardian First Book Award, Los Angeles Times Book Prize for First Fiction and Miles Franklin Literary Award, among others. She is also the author of the short story collection The High Places, which won the International Dylan Thomas Prize, and The Sun Walks Down, which was shortlisted for the Walter Scott Prize. Her stories have appeared in the New Yorker, Zoetrope: All-Story, and Best Australian Stories. McFarlane grew up in Sydney and now lives in the San Francisco Bay Area, where she teaches at the University of California, Berkeley.

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