The Musicology of Record Production
Author:   Simon Zagorski-Thomas
Publisher:   Cambridge University Press
ISBN:  

9781107428348


Pages:   278
Publication Date:   02 February 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Musicology of Record Production


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Author:   Simon Zagorski-Thomas
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.00cm , Height: 1.50cm , Length: 24.30cm
Weight:   0.490kg
ISBN:  

9781107428348


ISBN 10:   1107428343
Pages:   278
Publication Date:   02 February 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction; 2. Why study record production?; 3. How should we study record production?; Theoretical interlude 1; 4. Sonic cartoons; 5. Staging; Theoretical interlude 2; 6. The development of audio technology; 7. Using technology; Theoretical interlude 3; 8. Training, communication and practice; 9. Performance in the studio; Theoretical interlude 4; 10. Aesthetics and consumer influence; 11. The business of record production; Afterword.

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Author Information

Simon Zagorski-Thomas is a Reader at the London College of Music, University of West London. He is a director of the annual Art of Record Production Conference, a co-founder of the Journal on the Art of Record Production and co-chairman of the Association for the Study of the Art of Record Production (www.artofrecordproduction.com). His publications include The Art of Record Production (co-edited with Simon Frith, 2012). Before becoming an academic he worked for twenty-five years as a composer, sound engineer and producer with artists as varied as Phil Collins, Mica Paris, the London Community Gospel Choir, Bill Bruford, The Mock Turtles, Courtney Pine and the Balanescu Quartet. He continues to compose and record music and is currently conducting research into the musicology of record production, popular music analysis and performance practice in the recording process.

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