The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars

Author:   Jeanice Brooks (University of Southampton)
Publisher:   Cambridge University Press
ISBN:  

9781107009141


Pages:   306
Publication Date:   25 April 2013
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars


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Author:   Jeanice Brooks (University of Southampton)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.80cm , Height: 2.30cm , Length: 24.90cm
Weight:   0.690kg
ISBN:  

9781107009141


ISBN 10:   1107009146
Pages:   306
Publication Date:   25 April 2013
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: the works that stand for the time; Part I. The Work in Performance: 1. Nadia Boulanger between the wars; 2. Nadia Boulanger's musical work; 3. Performing the work; Part II. The Work in History: 4. The problem of concerts; 5. New links between them; 6. Tomb or treasure; 7. The art of assembling art; Conclusion.

Reviews

'This well-researched, conscientiously written book is recommendable.' Classical Music


'[An] excellent introduction ... well-researched, conscientiously written ...' Classical Music 'A well-researched and compiled portrait.' Gramophone 'This is an informative, inspiring book, about one of the twentieth century's most influential musicians ... The book is not only a thoroughly researched and scholarly work, but also a jolly good read. Jeanice Brooks situates Boulanger in a context of her time, referring to biographical and world events and contemporary philosophical ideas about the arts, in a way that shows how Boulanger was both very much a woman of her age, and how extraordinary she was.' Monica Buckland, Journal of the International Alliance for Women in Music


Author Information

Jeanice Brooks is Professor of Music at the University of Southampton. She has published extensively on French music and culture of the Renaissance and on domestic music-making in Britain around 1800, as well as on French musical culture between the wars. Her book on the strophic air de cour and court culture, Courtly Song in Late Sixteenth-Century France (2000) received the 2001 Roland H. Bainton prize for the best book of the year in music or art history.

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