The Music Room in Early Modern France and Italy: Sound, Space and Object

Author:   Deborah Howard (Professor Architectural History and Fellow of St John's College, University of Cambridge; Fellow of the British Academy) ,  Laura Moretti (Lecturer in Art History, School of Art History, University of St Andrews)
Publisher:   Oxford University Press
Volume:   176
ISBN:  

9780197265055


Pages:   300
Publication Date:   14 June 2012
Format:   Hardback
Availability:   To order   Availability explained
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The Music Room in Early Modern France and Italy: Sound, Space and Object


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Author:   Deborah Howard (Professor Architectural History and Fellow of St John's College, University of Cambridge; Fellow of the British Academy) ,  Laura Moretti (Lecturer in Art History, School of Art History, University of St Andrews)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Volume:   176
Dimensions:   Width: 16.50cm , Height: 2.50cm , Length: 24.10cm
Weight:   0.792kg
ISBN:  

9780197265055


ISBN 10:   0197265057
Pages:   300
Publication Date:   14 June 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Deborah Howard: Introduction: Music-making in Residenctiontial Space 1. The Visual Dimension 1: Patricia Fortini Brown: Seduction and Spirituality: The Ambiguous Roles of Music in Venetian Art 2: Flora Dennis: When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors 3: Tracy E. Cooper: The Place of Music in the Artist's Home 2. The Spatial Dimension 4: Sophie Pickford: Music in the French Domestic Interior (1500-1600) 5: Deborah Howard: The Role of Music in the Venetian Home in the Cinquecento 6: Rebecca Norris: Women on the Edge: The 'Saletta delle Dame' of the Palazzo Salvadego in Brescia 3. The Aural Dimension 7: Mimmo Peruffo: Balance on the Lute: The Role of the Strings 8: Michael Lowe: The Lute: An Intrument for All Seasons 9: Raf Orlowski: Assessing the Acoustic Performance of Small Music Rooms: A Short Introduction 4. The Intellectual Dimension 10: Giovanni Zanovello: 'With tempered notes, in the green hills and among rivers': Music, Learning, and the Symbolic Space of Recreation in the Manuscript Modena, Biblioteca Estense, Universitaria A.F.9.9 11: Guido Beltramini: Spaces for Music in Sixteenth-Century Paduan Noble Courts 12: Michael Markham: Caccini's Stages: Identity and Performance Space in the Late Cinquecento Courts 5. Courtly Contexts 13: Laura Moretti: Spaces for Musical Performance in the Este Court in Ferrara (c 1440-1540) 14: Iain Fenlon: Music Rooms in the Ducal Palace in Mantua: From Andrea Mantegna to Giovan Battista Bertani 15: Tessa Murdoch: Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century 6. The Development of Purpose-Built Spaces for Music 16: Davide Bonsi: The Acoustic Analysis of Palladio's Teatro Olimpico, Vicenza 17: Tarek Barreda: Music at Home: Spaces for Music in French Seventeenth-Century Residential Architecture 18: Arnaldo Morelli: Spaces for Musical Performance in Seventeenth-Century Roman Residences

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This is an excellent and much-needed book. Early Music,


This is an excellent and much-needed book. * Early Music, *


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