The Music of Morton Feldman

Author:   Thomas DeLio
Publisher:   Bloomsbury Publishing Plc
Volume:   No.36.
ISBN:  

9780313298035


Pages:   260
Publication Date:   25 March 1996
Recommended Age:   From 7 to 17 years
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Music of Morton Feldman


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Overview

Morton Feldman (1926-1987) is today widely regarded as one of America's foremost experimental composers. His unique body of compositions, as well as his numerous writings and interviews, provide a vast amount of source material for scholarly research. Yet, few have seriously examined his work. This collection of essays will help rectify this situation. This book begins with a brief work by John Cage written in honor of Morton Feldman. It is followed by a series of essays that challenge some views of Feldman's music and clarify many others. The collection concludes with a selection of essays written by the composer himself; these essays reveal as much about Feldman's own work and attitudes as they do about the work and thought of the many composers and artists about whom he wrote. The volume concludes with a list of Feldman's compositions, a bibliography, and a discography. This study, the first of a series of Profiles of American Composers, will be invaluable to musicologists and all involved with the music of the 20th century.

Full Product Details

Author:   Thomas DeLio
Publisher:   Bloomsbury Publishing Plc
Imprint:   Praeger Publishers Inc
Volume:   No.36.
Dimensions:   Width: 15.60cm , Height: 2.00cm , Length: 23.50cm
Weight:   0.482kg
ISBN:  

9780313298035


ISBN 10:   0313298033
Pages:   260
Publication Date:   25 March 1996
Recommended Age:   From 7 to 17 years
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction by Thomas DeLio Scenario of M.F. by John Cage The Feldman Paradoxes: A Deconstructionist View of Musical Aesthetics by Herman Sabbe Projection I (1950) by John Welsh Last Pieces #3 (1959) by Thomas DeLio Three Clarinets, Cello, and Piano (1971) by Michael Hamman Piano (1977) by Paula Ames For John Cage (1982) by Wes York The Composer's Voice: Three Essays by Morton Feldman List of Compositions Bibliography Discography Index

Reviews

?Feldman (1926-87) is an indisputably important composer in a radical American empirical tradition extending back through Edgard Varese and Charles Ives... The heart of this collection consists of five essays...they contain valuable synoptic information about Feldman's style and aesthetics as well as notational and performance practices... An important contribution to music aesthetics and composition; recommended for all libraries serving upper-division undergraduates and above.?-Choice


Feldman (1926-87) is an indisputably important composer in a radical American empirical tradition extending back through Edgard Varese and Charles Ives... The heart of this collection consists of five essays...they contain valuable synoptic information about Feldman's style and aesthetics as well as notational and performance practices... An important contribution to music aesthetics and composition; recommended for all libraries serving upper-division undergraduates and above. -Choice ?Feldman (1926-87) is an indisputably important composer in a radical American empirical tradition extending back through Edgard Varese and Charles Ives... The heart of this collection consists of five essays...they contain valuable synoptic information about Feldman's style and aesthetics as well as notational and performance practices... An important contribution to music aesthetics and composition; recommended for all libraries serving upper-division undergraduates and above.?-Choice


Author Information

THOMAS DeLIO is a composer and theorist. He has written and edited numerous publications on contemporary music. He is currently a member of the faculty of the Music Department at the University of Maryland at College Park.

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