Overview
This long-awaited study explores the creation of NBC-TV's landmark 1952-53 WWII documentary series, with particular attention to its evocative Rodgers-Bennett score. Victory at Sea, NBC-TV's innovative 1952-53 WWII documentary, was eventually broadcast to more than 100 million viewers worldwide. Its episodes chronicled the war's conflicts while highlighting the US Navy's contributions, NBC having sourced footage from the military, governments, and newsreel agencies of fourteen nations. Victory's special distinction was its music, with each episode's nonstop score recorded by the acclaimed NBC Symphony Orchestra. The music was credited to Richard Rodgers-then at the height of his fame-as composer, and Robert Russell Bennett as arranger and conductor. In fact, Rodgers composed twelve piano themes; Bennett developed these endlessly for orchestra and, in addition, composed many hours of the score outright. Part One chronicles Victory's gestation and production at NBC, its reception, the series' afterlife in syndication and home video, and the score's ""Gold Record"" sales success on RCA records. Part Two examines each episode in turn, focusing on how the Bennett-scored music pairs with screen action. Every transformation of the much-used Rodgers themes is cited, along with the episodes' musical inter-relationships. The hundreds of musical examples generously sample the score's 111/2 hours of music. NBC's Victory has been neglected by Richard Rodgers's biographers and by film historians. As the series celebrates its 70th anniversary, the Rodgers-Bennett score here finally receives recognition for its artistry and power.
Full Product Details
Author: Professor Emeritus George J. Ferencz (Royalty Account)
Publisher: Boydell & Brewer Ltd
Imprint: University of Rochester Press
Weight: 0.001kg
ISBN: 9781648250620
ISBN 10: 1648250629
Pages: 396
Publication Date: 16 May 2023
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
Lovingly documented, this book not only tells you everything you would want to know about this particular series, but also about the fascinating and important work of Broadway orchestrators and film composers. This is an important part of the historical record of the work of Bennett and Rodgers (two giants of Broadway) and for that reason alone it should have an important place in the scholarly canon. -- Elizabeth A. Wells * MUSIC & MUSICAL PERFORMANCE *
Author Information
GEORGE J. FERENCZ taught music theory and arranging at the University of Wisconsin-Whitewater from 1991 to 2019.
