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OverviewFull Product DetailsAuthor: Benjamin Halligan , Robert Edgar , Kirsty Fairclough-IsaacsPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.650kg ISBN: 9780415528016ISBN 10: 0415528011 Pages: 262 Publication Date: 27 March 2013 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Introduction: Music Seen: The Formats and Functions of the Music Documentary Part I: Evolutions of the Music Documentary Part II: Scenes from the Sixties Part III: Punk Cultures Part IV: ""Mockumentaries"" and ""Rockumentaries"" Part V: New Directions in the Music Documentary"ReviewsAuthor InformationRobert Edgar is Head of the MA programmes in Film and Documentary at York St John University. Kirsty Fairclough-Isaacs is Lecturer in Media and Performance in the School of Media, Music and Performance at the University of Salford. Benjamin Halligan is the Director of Postgraduate Research Studies for the College of Arts and Social Sciences, University of Salford. Publications include Michael Reeves (2003) and Reverberations: The Philosophy, Aesthetics and Politics of Noise (2012). Tab Content 6Author Website:Countries AvailableAll regions |
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