Overview

The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America's leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition. While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline. They reveal sources of inspiration, artistic goals, and the often unexpected ways their musical ideas develop. Some describe personal tonal systems; others discuss the impact of computers and other electronic tools on their work; still others reflect philosophically on the inner impulses and outer influences that continue to drive them. While serious music has a reputation for being difficult and inaccessible, The Muse That Sings provides a powerful antidote. The composers in this book speak clearly and thoughtfully in response to key questions of concern to all readers interested in contemporary music. Each interview has been edited to stand alone as a concise meditation on muse and technique, and the book includes selected discographies as well as brief biographical sketches. Anyone with an interest in twentieth-century music or in the creative process will find this lively collection a valuable source of inspiration and insight.

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9780195127072

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Reviews

These interviews with 25 composers are distilled to short, informal yet highly focused discussions....[McCutchan] allows the voices of the composers--most of whom live and work in the U.S. and were born between 1930 and 1960--to come through with candor...These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music. --Publishers Weekly McCutchan has welded her talents as a performing musician and write to produce a highly readable assessment of the serious music currently being written...The Muse That Sings should be in public libraries and academic music libraries, accessible to the serious layman, music student, and professional musician. It is recommended for those eager to explore the music pouring out of our American composers and should inspire performances of their music. --Notes

These interviews with 25 composers are distilled to short, informal yet highly focused discussions....[McCutchan] allows the voices of the composers--most of whom live and work in the U.S. and were born between 1930 and 1960--to come through with candor...These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music. --Publishers Weekly<br> McCutchan has welded her talents as a performing musician and write to produce a highly readable assessment of the serious music currently being written...The Muse That Sings should be in public libraries and academic music libraries, accessible to the serious layman, music student, and professional musician. It is recommended for those eager to explore the music pouring out of our American composers and should inspire performances of their music. --Notes<br>

""These interviews with 25 composers are distilled to short, informal yet highly focused discussions....[McCutchan] allows the voices of the composers--most of whom live and work in the U.S. and were born between 1930 and 1960--to come through with candor...These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music."" --Publishers Weekly ""McCutchan has welded her talents as a performing musician and write to produce a highly readable assessment of the serious music currently being written...The Muse That Sings should be in public libraries and academic music libraries, accessible to the serious layman, music student, and professional musician. It is recommended for those eager to explore the music pouring out of our American composers and should inspire performances of their music."" --Notes ""The effect on the reader is astonishing as one after another of these composers is revealed, warts and all, to be desperately and wonderfully human.""--David McGowan, American Music Teacher ""Engaging and inspirinig.""--Chamber Music Magazine ""...The Must That Sings"" [is] a book which will prove fascinating to those with an interest in contemporary musical composition, and in the creative process in general....Every decade needs a book like this, for ideas and tastes will always change and it will always require the work of scholars to document how the creative minds of an age think about their art. Ann McCutchan has provided such a work.""--The Ithaca Times ""These interviews with 25 composers are distilled to short, informal yet highly focused discussions....[McCutchan] allows the voices of the composers--most of whom live and work in the U.S. and were born between 1930 and 1960--to come through with candor...These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music."" --Publishers Weekly ""McCutchan has welded her talents as a performing musician and write to produce a highly readable assessment of the serious music currently being written...The Muse That Sings should be in public libraries and academic music libraries, accessible to the serious layman, music student, and professional musician. It is recommended for those eager to explore the music pouring out of our American composers and should inspire performances of their music."" --Notes

McCutchan's approachable, non-specialist book provides necessarily open-ended and ambiguous glimpses into the ineffable mysteries of musical composition. Tom Service, BBC Music Magazine, Oct 2000.

<br> These interviews with 25 composers are distilled to short, informal yet highly focused discussions....[McCutchan] allows the voices of the composers--most of whom live and work in the U.S. and were born between 1930 and 1960--to come through with candor...These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music. --Publishers Weekly<br> McCutchan has welded her talents as a performing musician and write to produce a highly readable assessment of the serious music currently being written...The Muse That Sings should be in public libraries and academic music libraries, accessible to the serious layman, music student, and professional musician. It is recommended for those eager to explore the music pouring out of our American composers and should inspire performances of their music. --No

Author Information

Ann McCutchan is the author of six books, most recently The Life She Wished to Live: A Biography of Marjorie Kinnan Rawlings, Author of The Yearling, released in 2021 by W.W. Norton. As well, she is a busy lyricist and librettist, with eight commissioned works, most recently The Dreamer, an opera based on an original story with composer Mark Alan Taggart, premiered by the East Carolina University Opera Studio in 2021. Her personal essays have appeared in various journals and The Best American Spiritual Writing.

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