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Author:   Heather Hunter-Crawley ,  Erica O'Brien
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.308kg
ISBN:  

9780367663162

ISBN 10:   0367663163
Pages:   192
Publication Date:   30 September 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"List of Figures List of Tables Preface Abbreviations Notes on Contributors Chapter 1 ""Introduction: The Image and the Senses"" Heather Hunter-Crawley & Erica O'Brien Chapter 2 ""Seeing is (not) Believing: Visual and Non-Visual Interpretations of Aegean Bronze Age Frescoes"" Jo Day Chapter 3 ""Multi-sensory Encounters: The Aesthetic Impact of Roman Coloured Statues"" Amalie Skovmøller and Berit Hildebrandt Chapter 4 ""Painting as Sermon: The Role of the Visual in Catechism in Late Fourth-Century Christian Orations"" Despoina Lampada Chapter 5 ""Experiencing the Miracle: Animated Images and the Senses in the Burial Chapel of the Byzantine Saint"" Dimitra Kotoula Chapter 6 ""Engaging the Olfactory: Scent in the Arts, Cultures, and Museums of the Islamic World"" Claire Dobbin and Leslee Katrina Michelsen Chapter 7 ""The Vocal in the Visual: Auditory Issues and the Potential of the Voice in Late Medieval and Early Modern Visual Art"" Daniela Wagner Chapter 8 ""‘Pictures with Light and Motion’: The Language of the Senses in The Masque of Flowers"" Caterina Guardini Afterword ""The Multi-sensory Image Between Interdisciplinarity and Multi-media"" François Quiviger Index"

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Author Information

Dr Heather Hunter-Crawley has held research and teaching posts at the University of Bristol and Swansea University. She is an independent researcher specialising in the religious art of Roman and late antiquity, and the author of numerous articles on ancient Christianity, Roman religion, and the senses. Dr Erica O’Brien teaches at the University of Bristol. She has also taught at the University of Wales Trinity Saint David and has held a Frances A. Yates Short-term Research Fellowship at the Warburg Institute. She is interested in the depiction of sensory experience in late medieval devotional portraits. Her current research is on two manuscripts that belonged to Margaret of York, the Duchess of Burgundy from 1468 to 1477.

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