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Author:   Edward Dimendberg (Professor of Humanities and European Languages, Professor of Humanities and European Languages, University of California, Irvine)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 25.10cm , Height: 1.50cm , Length: 17.50cm
Weight:   0.499kg
ISBN:  

9780190218447

ISBN 10:   0190218444
Pages:   184
Publication Date:   20 June 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Introduction: Edward Dimendberg Chapter 1. Moving Through Friedberg's Properly Adjusted Virtual Window: Tom Gunning Chapter 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up: Christa Blümlinger Chapter 3. Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine: Patricia Pisters Chapter 4. The Eisenstein Effect: Architecture and Narrative Montage in Eisenstein and Le Corbusier: Anthony Vidler Chapter 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness: Miriam Hansen Chapter 6. The Open Box: Umberto Eco, Achille Castiglioni and the Architecture of Television: Sylvia Lavin Chapter 7. Windows on a Broken World: Gordon Matta-Clark's photographs of public housing in New York: Gwendolyn Owens Chapter 8. Sites of Screening: Cinema, Museum, and the Art of Projection: Giuliana Bruno Chapter 9. Humans becoming Animals: On Sensorimotor Affection: Gertrud Koch Bibliography of Writings by Anne Friedberg Contributor Biographies Index

Reviews

Marvelous, eloquent, and evocative, The Moving Eye takes up the pas de deux of image and envisioning across the domains of film, architecture, photography, and television. Its carefully curated essays offer an intellectually moving tribute to the generative powers of Anne Friedberg's legacy, and a critical interrogation of vision - and a visual culture - in motion. * William Uricchio, Professor of Comparative Media Studies, MIT * The best kind of tribute to a lifework's of pathbreaking scholarship, The Moving Eye brings together brilliant essays that develop Anne Friedberg's interdisciplinary approach to cinema, media, architecture, and visual perception. Building on Friedberg's major contributions, this collection shows how her fascination with the history of screens, windows, and virtual mobility has become even more relevant in contemporary digital culture. * Lynn Spigel, Frances E.S Willard Chair of Screen Cultures, Northwestern University *

""Marvelous, eloquent, and evocative, The Moving Eye takes up the pas de deux of image and envisioning across the domains of film, architecture, photography, and television. Its carefully curated essays offer an intellectually moving tribute to the generative powers of Anne Friedberg's legacy, and a critical interrogation of vision -- and a visual culture -- in motion."" -- William Uricchio , Professor of Comparative Media Studies, MIT ""The best kind of tribute to a lifework's of pathbreaking scholarship, The Moving Eye brings together brilliant essays that develop Anne Friedberg's interdisciplinary approach to cinema, media, architecture, and visual perception. Building on Friedberg's major contributions, this collection shows how her fascination with the history of screens, windows, and virtual mobility has become even more relevant in contemporary digital culture."" -- Lynn Spigel, Frances E.S Willard Chair of Screen Cultures, Northwestern University

Marvelous, eloquent, and evocative, The Moving Eye takes up the pas de deux of image and envisioning across the domains of film, architecture, photography, and television. Its carefully curated essays offer an intellectually moving tribute to the generative powers of Anne Friedberg's legacy, and a critical interrogation of vision -- and a visual culture -- in motion. -- William Uricchio , Professor of Comparative Media Studies, MIT The best kind of tribute to a lifework's of pathbreaking scholarship, The Moving Eye brings together brilliant essays that develop Anne Friedberg's interdisciplinary approach to cinema, media, architecture, and visual perception. Building on Friedberg's major contributions, this collection shows how her fascination with the history of screens, windows, and virtual mobility has become even more relevant in contemporary digital culture. -- Lynn Spigel, Frances E.S Willard Chair of Screen Cultures, Northwestern University

Author Information

Edward Dimendberg is Professor of Humanities and European Languages at the University of California, Irvine. He is the principal of Dimendberg Consulting LLC.

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