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9781611681994

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Choice Cinema Post Script Tablet The Forward This excellent collection of essays on Jewish characters in world cinema over the past ninety years . . . are at last available in a single source. [Modern Jewish Experience in World Cinema] will enhance courses on Jewish cinema. It will encourage that very rubric in current film studies and film history courses. Cinema Post Script The book is a fine addition to any bookshelf containing material on the Jewish experience in film, particularly given that Baron has taken care to ensure that it at least attempts to cover the global span of Jewish film rather than, as many have done before him, uncritically assuming that the only Jewish films of note emanate from America or Israel and stopped at reports of Woody Allen s directorial decline. The Forward For those looking for an intelligent collection of film criticism for a course on the image of the Jew in motion pictures of the past 80 years, this is it. Baron . . . required a textbook, and in providing for his own needs, he created a useful collection for anyone interested. . . . Film selection is impeccable; there is plenty of Woody Allen. Knowing that he could not include every favorite film in the anthology, Baron provides an alternative films list to calm the reader who finds a favorite film omitted. . . . Highly recommended. Choice Baron manages to give each writer enough space to offer close readings of the films in question and to locatethem in their national, cultural, and aesthetic contexts. And if you happen not to like the movies that Baron chose in consultation with his contributors, he includes an appendix listing another hundred or so alternatives. Tablet This excellent collection of essays on Jewish characters in world cinema over the past ninety years . . . are at last available in a single source. [Modern Jewish Experience in World Cinema] will enhance courses on Jewish cinema. It will encourage that very rubric in current film studies and film history courses. --Cinema Post Script The book is a fine addition to any bookshelf containing material on the Jewish experience in film, particularly given that Baron has taken care to ensure that it at least attempts to cover the global span of Jewish film rather than, as many have done before him, uncritically assuming that the only Jewish films of note emanate from America or Israel and stopped at reports of Woody Allen's directorial decline. --The Forward For those looking for an intelligent collection of film criticism for a course on the image of the Jew in motion pictures of the past 80 years, this is it. Baron . . . required a textbook, and in providing for his own needs, he created a useful collection for anyone interested. . . . Film selection is impeccable; there is plenty of Woody Allen. Knowing that he could not include every favorite film in the anthology, Baron provides an alternative films list to calm the reader who finds a favorite film omitted. . . . Highly recommended. --Choice Baron manages to give each writer enough space to offer close readings of the films in question and to locatethem in their national, cultural, and aesthetic contexts. And if you happen not to like the movies that Baron chose in consultation with his contributors, he includes an appendix listing another hundred or so alternatives. --Tablet

The book is a fine addition to any bookshelf containing material on the Jewish experience in film, particularly given that Baron has taken care to ensure that it at least attempts to cover the global span of Jewish film rather than, as many have done before him, uncritically assuming that the only Jewish films of note emanate from America or Israel and stopped at reports of Woody Allen's directorial decline. --The Forward

For those looking for an intelligent collection of film criticism for a course on the image of the Jew in motion pictures of the past 80 years, this is it. Baron . . . required a textbook, and in providing for his own needs, he created a useful collection for anyone interested. . . . Film selection is impeccable; there is plenty of Woody Allen. Knowing that he could not include every favorite film in the anthology, Baron provides an alternative films list to calm the reader who finds a favorite film omitted. . . . Highly recommended. --Choice

Author Information

JONATHAN N. BARRON is Associate Professor of English at the University of Southern Mississippi. ERIC MURPHY SELLINGER is Assistant Professor of English, DePaul University. Both have published widely in the fields of 20th-century American and Jewish American literature.

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