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9781107150386

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Advance praise: 'A splendid visual feast, this compelling account of the Middle Ages will fascinate and engage students, specialists and general readers alike. This is Medieval History with a difference - of approach, scope, and content - that is as stimulating as it is enjoyable.' Julia M. H. Smith, University of Oxford Advance praise: 'The Middle Ages in 50 Objects will appeal to anyone with a passion for history and delight in things. Evocatively bringing the medieval world alive, it unearths buried weapons, de-codes enigmatic images, and rewards the curious with details of materials and makers, myths and movements. An outstanding resource for instructors and visual learners, this volume satisfies both the intellect and the senses.' Maureen C. Miller, University of California, Berkeley Advance praise: 'The recent turn to 'materiality' among medievalists has paid off handsomely in this informative and beautifully presented study. The book testifies to the added value of collaboration in scholarship and of the utility of integrating different scholarly approaches to the study of objects. The authors obviously experienced great joy in executing the project, and I experienced the same emotion in reading it.' William Chester Jordan, Princeton University Advance praise: 'The luxury items and ordinary medieval artefacts this volume showcases range across the full chronological and geographical scope of the capacious Middle Ages. They comprise a splendid cabinet of curiosities, a wondrous collection of images and stories, wrapped in rich contextualizations, that allows the reader to assemble a complex, multifaceted image of the Middle Ages.' Asa Simon Mittman, California State University, Chico Advance praise: 'With its focus on carefully selected objects and its attention to material culture, this book is both a masterpiece of methodology and a must-read volume for scholars, students and interested public alike. Using the objects to address broad interdisciplinary questions concerning Islamic, Byzantine and European societies, it brings the Middle Ages back to life in a sophisticated and intelligent way.' Claudia Bolgia, University of Edinburgh Advance praise: 'The Middle Ages in 50 Objects, as its name suggests, places objects front and center in the telling of history. Using select works from the rich collections of the Cleveland Museum of art, the authors present an admirably broad and diverse picture of the medieval era. Written in an engaging, approachable style, and with an authoritative erudition, this work will offer students an excellent introduction to the field.' Christina Maranci, Tufts University, Massachusetts

'A splendid visual feast, this compelling account of the Middle Ages will fascinate and engage students, specialists and general readers alike. This is Medieval History with a difference - of approach, scope, and content - that is as stimulating as it is enjoyable.' Julia M. H. Smith, University of Oxford 'The Middle Ages in 50 Objects will appeal to anyone with a passion for history and delight in things. Evocatively bringing the medieval world alive, it unearths buried weapons, de-codes enigmatic images, and rewards the curious with details of materials and makers, myths and movements. An outstanding resource for instructors and visual learners, this volume satisfies both the intellect and the senses.' Maureen C. Miller, University of California, Berkeley 'The recent turn to 'materiality' among medievalists has paid off handsomely in this informative and beautifully presented study. The book testifies to the added value of collaboration in scholarship and of the utility of integrating different scholarly approaches to the study of objects. The authors obviously experienced great joy in executing the project, and I experienced the same emotion in reading it.' William Chester Jordan, Princeton University, New Jersey 'The luxury items and ordinary medieval artefacts this volume showcases range across the full chronological and geographical scope of the capacious Middle Ages. They comprise a splendid cabinet of curiosities, a wondrous collection of images and stories, wrapped in rich contextualizations, that allows the reader to assemble a complex, multifaceted image of the Middle Ages.' Asa Simon Mittman, California State University, Chico 'With its focus on carefully selected objects and its attention to material culture, this book is both a masterpiece of methodology and a must-read volume for scholars, students and interested public alike. Using the objects to address broad interdisciplinary questions concerning Islamic, Byzantine and European societies, it brings the Middle Ages back to life in a sophisticated and intelligent way.' Claudia Bolgia, University of Edinburgh 'The Middle Ages in 50 Objects, as its name suggests, places objects front and center in the telling of history. Using select works from the rich collections of the Cleveland Museum of art, the authors present an admirably broad and diverse picture of the medieval era. Written in an engaging, approachable style, and with an authoritative erudition, this work will offer students an excellent introduction to the field.' Christina Maranci, Tufts University, Massachusetts 'An appealing and original guide to the cultural history of the Middle Ages.' Antiques & Auction News `A splendid visual feast, this compelling account of the Middle Ages will fascinate and engage students, specialists and general readers alike. This is Medieval History with a difference - of approach, scope, and content - that is as stimulating as it is enjoyable.' Julia M. H. Smith, University of Oxford `The Middle Ages in 50 Objects will appeal to anyone with a passion for history and delight in things. Evocatively bringing the medieval world alive, it unearths buried weapons, de-codes enigmatic images, and rewards the curious with details of materials and makers, myths and movements. An outstanding resource for instructors and visual learners, this volume satisfies both the intellect and the senses.' Maureen C. Miller, University of California, Berkeley `The recent turn to 'materiality' among medievalists has paid off handsomely in this informative and beautifully presented study. The book testifies to the added value of collaboration in scholarship and of the utility of integrating different scholarly approaches to the study of objects. The authors obviously experienced great joy in executing the project, and I experienced the same emotion in reading it.' William Chester Jordan, Princeton University, New Jersey 'The luxury items and ordinary medieval artefacts this volume showcases range across the full chronological and geographical scope of the capacious Middle Ages. They comprise a splendid cabinet of curiosities, a wondrous collection of images and stories, wrapped in rich contextualizations, that allows the reader to assemble a complex, multifaceted image of the Middle Ages.' Asa Simon Mittman, California State University, Chico 'With its focus on carefully selected objects and its attention to material culture, this book is both a masterpiece of methodology and a must-read volume for scholars, students and interested public alike. Using the objects to address broad interdisciplinary questions concerning Islamic, Byzantine and European societies, it brings the Middle Ages back to life in a sophisticated and intelligent way.' Claudia Bolgia, University of Edinburgh 'The Middle Ages in 50 Objects, as its name suggests, places objects front and center in the telling of history. Using select works from the rich collections of the Cleveland Museum of art, the authors present an admirably broad and diverse picture of the medieval era. Written in an engaging, approachable style, and with an authoritative erudition, this work will offer students an excellent introduction to the field.' Christina Maranci, Tufts University, Massachusetts 'An appealing and original guide to the cultural history of the Middle Ages.' Antiques & Auction News

'A splendid visual feast, this compelling account of the Middle Ages will fascinate and engage students, specialists and general readers alike. This is Medieval History with a difference - of approach, scope, and content - that is as stimulating as it is enjoyable.' Julia M. H. Smith, University of Oxford 'The Middle Ages in 50 Objects will appeal to anyone with a passion for history and delight in things. Evocatively bringing the medieval world alive, it unearths buried weapons, de-codes enigmatic images, and rewards the curious with details of materials and makers, myths and movements. An outstanding resource for instructors and visual learners, this volume satisfies both the intellect and the senses.' Maureen C. Miller, University of California, Berkeley 'The recent turn to 'materiality' among medievalists has paid off handsomely in this informative and beautifully presented study. The book testifies to the added value of collaboration in scholarship and of the utility of integrating different scholarly approaches to the study of objects. The authors obviously experienced great joy in executing the project, and I experienced the same emotion in reading it.' William Chester Jordan, Princeton University, New Jersey 'The luxury items and ordinary medieval artefacts this volume showcases range across the full chronological and geographical scope of the capacious Middle Ages. They comprise a splendid cabinet of curiosities, a wondrous collection of images and stories, wrapped in rich contextualizations, that allows the reader to assemble a complex, multifaceted image of the Middle Ages.' Asa Simon Mittman, California State University, Chico 'With its focus on carefully selected objects and its attention to material culture, this book is both a masterpiece of methodology and a must-read volume for scholars, students and interested public alike. Using the objects to address broad interdisciplinary questions concerning Islamic, Byzantine and European societies, it brings the Middle Ages back to life in a sophisticated and intelligent way.' Claudia Bolgia, University of Edinburgh 'The Middle Ages in 50 Objects, as its name suggests, places objects front and center in the telling of history. Using select works from the rich collections of the Cleveland Museum of art, the authors present an admirably broad and diverse picture of the medieval era. Written in an engaging, approachable style, and with an authoritative erudition, this work will offer students an excellent introduction to the field.' Christina Maranci, Tufts University, Massachusetts 'An appealing and original guide to the cultural history of the Middle Ages.' Antiques and Auction News 'This handsome publication represents the collaborative effort of two well-regarded medievalists, an art historian (Gertsman, Case Western Reserve University, Cleveland) and a scholar known primarily for her studies of the history of the emotions (Rosenwein, Loyola University, Chicago). They selected 50 objects they deemed illustrated salient aspects of the Middle Ages, and each object is the subject of informative yet accessible commentary. The objects appear under four headings: 'The Holy and the Faithful', 'The Sinful and the Spectral', 'Daily Life and Its fictions', 'Death and Its Aftermath'. … Recommended.' W. Cahn, Choice '… the book is a wonderful introduction to the objects of the museum's collection, and Gertsman and Rosenwein are to be congratulated for distilling these objects' complexity and historical context for a broader readership, and for painting a picture of the field that showcases the richness of both its objects and methodologies.' Karl Whittington, Speculum 'These extraordinary objects remind us of the sheer strangeness of this world, and the volume is beautifully illustrated.' Hannah Skoda, BBC History Magazine

Author Information

Elina Gertsman is Professor of Medieval Art at Case Western Reserve University. She is the author of The Dance of Death in the Middle Ages: Image, Text, Performance (2010) and Worlds Within: Opening the Medieval Shrine Madonna (2015), and editor of several books, including Visualizing Medieval Performance: Perspectives, Histories, Contexts (2008) and Crying in the Middle Ages: Tears of History (2013). Most recently, with Stephen Fliegel, she published a catalogue that accompanies the focus exhibition they co-curated at the Cleveland Museum of Art, Myth and Mystique: Cleveland's Gothic Table Fountain (2016). Barbara H. Rosenwein, Professor Emerita Loyola University, Chicago, is a medievalist and a recognized authority on the history of emotions. She is the author of Emotional Communities in the Early Middle Ages (2006), Generations of Feeling: A History of Emotions, 600-1700 (2016), and has just completed (with co-author Riccardo Cristiani) What Is the History of Emotions? (2017). Her textbooks, A Short History of the Middle Ages (2009) and Reading the Middle Ages: Sources from Europe, Byzantium, and the Islamic World (2006) are currently going into new editions.

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