Michael Chekhov’s Acting Technique: A Practitioner’s Guide

Author:   Sinéad Rushe (Central School of Speech and Drama, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781408156889


Pages:   360
Publication Date:   24 January 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Michael Chekhov’s Acting Technique: A Practitioner’s Guide


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Author:   Sinéad Rushe (Central School of Speech and Drama, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 13.80cm , Height: 2.00cm , Length: 21.40cm
Weight:   0.460kg
ISBN:  

9781408156889


ISBN 10:   1408156881
Pages:   360
Publication Date:   24 January 2019
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

A long-time practitioner of Chekhov's acting technique, Rushe (Central School of Speech and Drama, UK) has delivered a valuable, comprehensive look at many of the acting tools Chekhov pioneered at the turn of the 20th century … Particularly noteworthy is Rushe’s creation of a careful pathway through all the material. Each exercise builds on its predecessor in a way that shows the author’s attention to detail and mastery of the subject matter … Though aimed at modern practitioners of acting, academics should not shy away from this guide, given its thorough research and its historical relevance. This volume will be a useful resource for those studying acting theory, theater history, or the pedagogy of acting. * CHOICE * An extremely well researched exploration of how Chekhov’s approach to acting can be best utilized … Rushe’s very clear explanations of each tool, its use, and its relationship to other tools is very illuminating and practical. * Theatre, Dance and Performance Training *


A long-time practitioner of Chekhov's acting technique, Rushe (Central School of Speech and Drama, UK) has delivered a valuable, comprehensive look at many of the acting tools Chekhov pioneered at the turn of the 20th century ... Particularly noteworthy is Rushe's creation of a careful pathway through all the material. Each exercise builds on its predecessor in a way that shows the author's attention to detail and mastery of the subject matter ... Though aimed at modern practitioners of acting, academics should not shy away from this guide, given its thorough research and its historical relevance. This volume will be a useful resource for those studying acting theory, theater history, or the pedagogy of acting. * CHOICE *


A long-time practitioner of Chekhov's acting technique, Rushe (Central School of Speech and Drama, UK) has delivered a valuable, comprehensive look at many of the acting tools Chekhov pioneered at the turn of the 20th century ... Particularly noteworthy is Rushe's creation of a careful pathway through all the material. Each exercise builds on its predecessor in a way that shows the author's attention to detail and mastery of the subject matter ... Though aimed at modern practitioners of acting, academics should not shy away from this guide, given its thorough research and its historical relevance. This volume will be a useful resource for those studying acting theory, theater history, or the pedagogy of acting. * CHOICE * An extremely well researched exploration of how Chekhov's approach to acting can be best utilized ... Rushe's very clear explanations of each tool, its use, and its relationship to other tools is very illuminating and practical. * Theatre, Dance and Performance Training *


Author Information

Sinéad Rushe is a theatre director and acting coach. She trained at Royal Central School of Speech and Drama London. She is Lead Acting Tutor at RADA and Artistic Director of Creative Actor Training. She is the co-translator into French, with Sarah Hirschmuller, of four plays by Howard Barker (Editions Théâtrales). She is co-director of Michael Chekhov UK, Faculty Council member of Michael Chekhov Association USA (MICHA) and patron of Living Pictures theatre company in Wales. She gives masterclasses and talks worldwide on acting and the Michael Chekhov technique and offers regular training at Creative Actor Training.

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