The Methodologies of Art: An Introduction

Author:   Laurie Schneider Adams
Publisher:   Taylor & Francis Ltd
Edition:   2nd edition
ISBN:  

9780367097240


Pages:   312
Publication Date:   07 June 2019
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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The Methodologies of Art: An Introduction


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Full Product Details

Author:   Laurie Schneider Adams
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Weight:   0.453kg
ISBN:  

9780367097240


ISBN 10:   0367097249
Pages:   312
Publication Date:   07 June 2019
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate. --David Carrier, Case Western Reserve University, Cleveland Institute of Art A teacher's dream...A far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theory...Adams's clear, accurate introduction will be a godsend. --Art Journal Good, clear introduction for students who don't know their Derridas from their derrieres. --ARLIS News Sheet Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate. David Carrier, Case Western Reserve University, Cleveland Institute of Art A teacher's dreamA far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theoryAdams's clear, accurate introduction will be a godsend. Art Journal Good, clear introduction for students who don't know their Derridas from their derrieres. ARLIS News Sheet


Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate. David Carrier, Case Western Reserve University, Cleveland Institute of Art A teacher's dreamA far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theoryAdams's clear, accurate introduction will be a godsend. Art Journal Good, clear introduction for students who don't know their Derridas from their derrieres. ARLIS News Sheet Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate. --David Carrier, Case Western Reserve University, Cleveland Institute of Art A teacher's dream...A far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theory...Adams's clear, accurate introduction will be a godsend. --Art Journal Good, clear introduction for students who don't know their Derridas from their derrieres. --ARLIS News Sheet


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Laurie Schneider Adams

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