Overview

New York City's Metropolitan Museum of Art is one of the world's greatest cultural institutions. Its holdings encompass a vast range-including paintings, sculptures, costumes, instruments, and arms and armor-and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum? This book is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Jonathan Conlin tells the stories of the people who have shaped the museum-from curators and artists to museumgoers and security guards-and the communities that have made it their own. Highlighting inequalities of wealth, race, and gender, he exposes the hidden costs of the museum's reliance on ""robber barons"" and oligarchs, the exclusionary immigration policies that influenced the foundation of the American Wing, and the obstacles faced by women curators. Drawing on extensive interviews with past and current staff, Conlin brings the story up to the present, including the museum's troubled 150th anniversary in 2020. As the Met faces continued controversy, this book offers a timely account of the people behind an iconic institution and a compelling case for the museum's vision of shared human creativity.

Full Product Details

Author:   Jonathan Conlin
Publisher:   Columbia University Press
Imprint:   Columbia University Press
ISBN:  

9780231205801

ISBN 10:   0231205805
Pages:   440
Publication Date:   22 October 2024
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock  
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Table of Contents

List of Illustrations Acknowledgments Introduction 1. Innocents Abroad: The Founding Trustees, 1866–1880 2. General Cesnola and the Temple of Curium: Showmanship and Scholarship in the Age of Barnum, 1865–1895 3. Indentured Gratitude: The Havemeyers and Other Oligarchs, 1869–1913 4. Downtown: Artist-Artisans Between Commerce and Philanthropy, 1880–1914 5. The Guards: Ethnicity, Class, and Labor, 1880–1958 6. Colonial Flatware: Judge Clearwater and the Limits of Americanization, 1906–1933 7. The Ladies Lunch Club: Women and the Curatorial Profession, 1900–1940 8. The Modernists: The Museum and Modern Art, 1921–1950 9. Pupils on Parade: Museum Education as Theater, 1907–1973 10. Uptown: The Met and the “Total Black Community,” 1943–1977 11. Self-Culture for Out-of-Towners: From Miniatures to the Annenberg Center, 1948–1977 12. Changing Occupations: Mannequins at the Met, 1942–2004 13. Legacy Systems: From Multimedia to Digital, 1983–2019 Conclusion: 2020 Vision? Abbreviations Notes Sources and Select Bibliography Index

Reviews

As well researched and illustrated as it is written, Conlin’s The Met offers a rich, incisive, original, and highly entertaining account of the evolution of America’s most famous museum. -- Andrew McClellan, author of <i>The Art Museum from Boullée to Bilbao</i> A tour de force of original research and critical insight, Jonathan Conlin’s The Met is a fascinating study, a must read for anyone interested in the multifaceted history of the United States’ premier art museum. -- Alan Wallach, author of <i>Exhibiting Contradiction: Essays on the Art Museum in the United States</i>

As well researched and illustrated as it is written, Conlin’s The Met offers a rich, incisive, original, and highly entertaining account of the evolution of America’s most famous museum. -- Andrew McClellan, author of <i>The Art Museum from Boullée to Bilbao</i>

Author Information

Jonathan Conlin is professor of modern history at the University of Southampton. His books include Tales of Two Cities: Paris, London, and the Birth of the Modern City (2014) and Mr. Five Per Cent: The Many Lives of Calouste Gulbenkian, the World’s Richest Man (2019).

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