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Author:   Sarah Hatchuel (University Paul-Valéry Montpellier 3, France) ,  Dr Nathalie Vienne-Guerrin (University of Montpellier III Paul Valery, France) ,  Dr Andrew Hiscock ,  Professor Lisa Hopkins (Sheffield Hallam University, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   The Arden Shakespeare
Weight:   0.445kg
ISBN:  

9781350082298

ISBN 10:   1350082295
Pages:   320
Publication Date:   15 October 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Series Introduction The Merchant of Venice Timeline, by S. Hatchuel (University Paul-Valéry Montpellier 3, France) and N. Vienne-Guerrin (University Paul-Valéry Montpellier 3, France) Introduction: The Merchant of Venice: the unruly play, by S. Hatchuel and N. Vienne-Guerrin The Critical Backstory, by John Drakakis (University of Sterling, UK) Performance History, by Jay Halio (University of Delaware, USA) The State of the Art, by Shaul Bassi (Università Ca’Foscari Venezia, Italy) New Directions: New Direction 1: “Affections dark as Erebus” – religion, gender, and the passions in The Merchant of Venice, by Sabine Schülting (Freie Universität Berlin, Germany) New Direction 2: “The moon shines bright”: re-viewing the Belmont mythological tapestry in Act 5 of The Merchant of Venice, by Janice Valls-Russell (CNRS, Université Paul-Valéry Montpellier 3, France) New Direction 3: “That ugly treason of mistrust”: rhetoric of credit and the credit of rhetoric in The Merchant of Venice, by Gary Watt (University of Warwick, UK) New Direction 4: Screening The Merchant of Venice, by Douglas M. Lanier (University of New Hampshire, USA) Learning and teaching Resources, by Lieke Stelling (University of Utrecht, Netherlands) Notes on Contributors Index

Reviews

A varied and engaging set of essays including the encyclopaedically factual and the daringly interpretative. * Cahiers Elisabethains *

Author Information

Sarah Hatchuel is Professor in Film & Media Studies at the university Paul-Valéry Montpellier 3, France, and former President of the Société Française Shakespeare. Nathalie Vienne-Guerrin is Professor in Shakespeare studies at the University Paul-Valéry Montpellier 3, France, former Vice President of the Société Française Shakespeare and director of the ‘Institut de Recherche sur la Renaissance, l’âge Classique et les Lumières’.

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