The Mediated Mind: Affect, Ephemera, and Consumerism in the Nineteenth Century

Author:   Susan Zieger, University of California, Riverside
Publisher:   Fordham University Press
ISBN:  

9780823279838


Pages:   256
Publication Date:   05 June 2018
Format:   Paperback
Availability:   In Print   Availability explained
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The Mediated Mind: Affect, Ephemera, and Consumerism in the Nineteenth Century


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Author:   Susan Zieger, University of California, Riverside
Publisher:   Fordham University Press
Imprint:   Fordham University Press
ISBN:  

9780823279838


ISBN 10:   0823279839
Pages:   256
Publication Date:   05 June 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction: From Paper to Pixel 1. Temperate Media: Ephemera and Performance in the Making of Mass Culture 2. Tobacco Papers, Holmes' Pipe, and Information Addiction 3. Ink, Mass Culture, and the Unconscious 4. Dreaming True : Playback, Immediacy, and Du Maurierness 5. A Form of Reverie, A Malady of Dreaming: Dorian Gray and Mass Culture Conclusion: Unknown Publics Acknowledgments Notes Index

Reviews

An astoundingly rich and wonderfully diverse account of the experience of mass media in Britain at the end of the nineteenth century. The Mediated Mind provocatively and sensitively expands the very notion of mass media beyond the audio-visual parameters in which it is conventionally considered and explores the varied ways in which print and printed ephemera shapes nineteenth-century British culture. -- John Lurz, Tufts University


Zieger's notion of the mediated mind is not the flattened, homogenized mentality often implied by discussions of mass communications; she documents and explores these changes with far more detail and finesse than an informal commentary can convey. * Inside Higher Ed * An astoundingly rich and wonderfully diverse account of the experience of mass media in Britain at the end of the nineteenth century. The Mediated Mind provocatively and sensitively expands the very notion of mass media beyond the audio-visual parameters in which it is conventionally considered and explores the varied ways in which print and printed ephemera shapes nineteenth-century British culture. -- John Lurz, Tufts University


Zieger's brilliant analysis of ink's centrality to globalization raises parallel questions about the planetary roots and routes of other resources featured in this study as underwriting the new scale of mass mediation, such as the tobacco that provided the dreamy smoke screen for seductions of information, or the paper that supplied the transition from pipes to cigarettes... Like so many stimulants, it is tremendously satisfying while waking the reader's mind to seek more.-- Victorian Studies Zieger's notion of the mediated mind is not the flattened, homogenized mentality often implied by discussions of mass communications; she documents and explores these changes with far more detail and finesse than an informal commentary can convey.-- Inside Higher Ed At first glance, our culture's consumption of mass media--with our twenty-four-hour news cycle, social media, and love of iPhones--may not seem to have much in common with the nineteenth century. Susan Zieger's The Mediated Mind: Affect, Ephemera, and Consumerism in the Nineteenth Century, however, argues otherwise. By examining the close relationship between consumers and goods in nineteenth-century Britain, Zieger presents ephemeral items and the conversations they sparked as prefigurations of twenty-first century forms of mass media.-- Victorian Periodicals Review An astoundingly rich and wonderfully diverse account of the experience of mass media in Britain at the end of the nineteenth century. The Mediated Mind provocatively and sensitively expands the very notion of mass media beyond the audio-visual parameters in which it is conventionally considered and explores the varied ways in which print and printed ephemera shapes nineteenth-century British culture.---John Lurz, Tufts University,


An astoundingly rich and wonderfully diverse account of the experience of mass media in Britain at the end of the nineteenth century. The Mediated Mind provocatively and sensitively expands the very notion of mass media beyond the audio-visual parameters in which it is conventionally considered and explores the varied ways in which print and printed ephemera shapes nineteenth-century British culture. -- John Lurz, Tufts University Zieger's notion of the mediated mind is not the flattened, homogenized mentality often implied by discussions of mass communications; she documents and explores these changes with far more detail and finesse than an informal commentary can convey. * Inside Higher Ed * At first glance, our culture's consumption of mass media-with our twenty-four-hour news cycle, social media, and love of iPhones-may not seem to have much in common with the nineteenth century. Susan Zieger's The Mediated Mind: Affect, Ephemera, and Consumerism in the Nineteenth Century, however, argues otherwise. By examining the close relationship between consumers and goods in nineteenth-century Britain, Zieger presents ephemeral items and the conversations they sparked as prefigurations of twenty-first century forms of mass media. * Victorian Periodicals Review *


An astoundingly rich and wonderfully diverse account of the experience of mass media in Britain at the end of the nineteenth century. The Mediated Mind provocatively and sensitively expands the very notion of mass media beyond the audio-visual parameters in which it is conventionally considered and explores the varied ways in which print and printed ephemera shapes nineteenth-century British culture.--John Lurz, Tufts University


Author Information

Susan Zieger is Associate Professor of English at the University of California, Riverside. She is the author of Inventing the Addict: Drugs, Race, and Sexuality in Nineteenth-Century British and American Literature.

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