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Steven E. Jones rolls his katamari through wonderful terrain, collecting insights about how video games relate to reality TV, otaku culture, British gift-book annuals, and our perspectives on outer space. The Meaning of Video Games draws on the methods of textual studies and on a solid understanding of games and how they are played. It is an enjoyable, edifying, next-generation book. -Nick Montfort, Massachusetts Institute of Technology In The Meaning of Video Games Steven E. Jones makes it look easy, effortlessly dissolving distinctions between media studies, game studies, and textual studies. Close readings become 'close playings' (and back again) as the book creates an interdisciplinary convergence culture every bit as mobile and networked as the objects of its study. -Matthew G. Kirschenbaum, University of Maryland This is a perfect case of a book hitting the market exactly when we need it. While there have been individual academic accounts of specific types and modes of games before, Jones's book is the first scholarly (and 'popular') study of an increasingly pervasive element of contemporary culture, deftly integrating the phenomenology of game design and game playing with the general textuality in which Jones wisely chooses to discuss both the creation and reception of gaming. Avoiding the pitfalls of a straight historical narrative, the author selects certain emblematic moments in the growth of games and games studies (from Lost to Halo to the Wii-and 'platform studies' -to the forthcoming Spore ). He sets these exempla against a wide array of other disciplines and approaches: media studies, psychology, textual studies, popular culture, sociology, anthropology, and even 'literature.' Whether Jones has provided the last word on the 'meaning' of video games remains to be seen, but it will certainly inspire others to continue the search for such 'meaning.' -David Greetham, City University of New York

Steven E. Jones rolls his katamari through wonderful terrain, collecting insights about how video games relate to reality TV, otaku culture, British gift-book annuals, and our perspectives on outer space. The Meaning of Video Games draws on the methods of textual studies and on a solid understanding of games and how they are played. It is an enjoyable, edifying, next-generation book. -Nick Montfort, Massachusetts Institute of Technology In The Meaning of Video Games Steven E. Jones makes it look easy, effortlessly dissolving distinctions between media studies, game studies, and textual studies. Close readings become 'close playings' (and back again) as the book creates an interdisciplinary convergence culture every bit as mobile and networked as the objects of its study. -Matthew G. Kirschenbaum, University of Maryland This is a perfect case of a book hitting the market exactly when we need it. While there have been individual academic accounts of specific types and modes of games before, Jones's book is the first scholarly (and 'popular') study of an increasingly pervasive element of contemporary culture, deftly integrating the phenomenology of game design and game playing with the general textuality in which Jones wisely chooses to discuss both the creation and reception of gaming. Avoiding the pitfalls of a straight historical narrative, the author selects certain emblematic moments in the growth of games and games studies (from Lost to Halo to the Wii-and 'platform studies' -to the forthcoming Spore). He sets these exempla against a wide array of other disciplines and approaches: media studies, psychology, textual studies, popular culture, sociology, anthropology, and even 'literature.' Whether Jones has provided the last word on the 'meaning' of video games remains to be seen, but it will certainly inspire others to continue the search for such 'meaning.' -David Greetham, City University of New York The meaning of video games - suggests Jones - is not intrinsic to the text, but is produced dynamically from the interaction between author and user, code and system, machine and human being. The pleasant digressions on otaku culture, reality TV shows and TV series such as Lost (which opens the volume) make reading The Meaning of Video Games pleasant, if not essential. - Matteo Bittanti, Videoludica As his title promises, Jones successfully demonstrates strategies for understanding the meanings of video games. His six case studies present insightful analyses and exemplify how scholars might approach games using textual studies theories...Jones provides another fruitful contribution to the interdisciplinary network of game studies, offering close textual readings of specific game artifacts to illuminate how video games are the quintessential social texts of our present cultural moment. -Cinema Journal Spring 2009 Issue Ultimately, Jones' contributions in this excellent collection of more or less stand-alone chapters sums up with a wonderful exposition of the ceaseless movement of significance in the paratextual character of the human engagement with videogames. -New Media and Society 2009; 11; 641

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Steven E. Jones is Professor of English at Loyola University in Chicago. He is author of Against Technology (Routledge, 2006) and Satire and Romanticism, and he is editor of The Satiric Eye: Forms of Satire in the Romantic Period.

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