Overview

In 2017, when the public agency Waterfront Toronto decided to put up a parcel of land for development, Sidewalk Labs, a subsidiary of Google's Alphabet Inc., swept in with a proposal to create the city of the future. Waterfront Toronto jumped at the opportunity to advance housing sustainability and affordability by exploring Alphabet's innovative technology and data-driven techniques. But the project quickly started to fall apart from uneasy partnerships, sclerotic local politics, and an overwhelmingly negative public response. In this biting comedy about the failure to build a smart city in Toronto, Michael Healey lampoons the corporate drama, epic personalities, and iconic Canadian figures involved in the messy affair between Sidewalk Labs and Waterfront Toronto. Based on the bestselling expos�, Sideways: The City Google Couldn't Buy by Josh O'Kane, The Master Plan exposes the hubris of big tech, the feebleness of government, and the dangers of public consultation with sharp wit and insightful commentary.

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9780369104809

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Michael Healey trained as an actor at Toronto's Ryerson Theatre School in the mid-eighties. He began writing for the stage in the early nineties and his first play, a solo one-act called Kicked, was produced at the Fringe of Toronto Festival in 1996. He subsequently toured the play across Canada and internationally, winning the Dora Mavor Moore Award for best new play. The Drawer Boy, his first full-length play, premiered in Toronto in 1999, winning the Dora Award for best new play, the Chalmers Canadian Playwriting Award, and the Governor General's Literary Award (Canada's highest literary honour). It has been translated into multiple languages and continues to be produced regularly across North America and internationally. Healey's other works include The Road to Hell (co-authored with Kate Lynch), Plan B, Rune Arlidge, The Innocent Eye Test, The Nuttalls, Are You Okay, and 1979. His trilogy focusing on Canadian values and politics--Generous, Courageous, and Proud--met with great critical success and have had multiple productions. In all, his plays have won the Dora Mavor Moore Award for best new play five times. He has also adapted works by Chekhov, Molnar, Hecht and MacArthur, D�rrenmatt, and Shaw for the Stratford Festival, the Shaw Festival, and Soulpepper. He continues to find work as an actor occasionally.

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