Overview

The Man Who Was Thursday: A Nightmare is a 1908 novel by G. K. Chesterton. The book has been described as a metaphysical thriller. Sometimes described as thrilling, sometimes as comic, and sometimes as metaphysical or spiritual, The Man Who Was Thursday, by G.K.Chesterton is perhaps a little of each. The tale begins when an undercover policeman infiltrates a mysterious Anarchist group. As the novel progresses, things become more comic and improbable, and eventually evolve in to a sort of abstract, dreamlike state. Filled with Christian allegory, Thursday is a glittering, fascinating exploration of good versus evil and theology through the lens of adventure, wit, and the surreal. Chesterton prefixed the novel with a poem written to Edmund Clerihew Bentley, revisiting the pair's early history and the challenges presented to their early faith by the times. In Victorian-era London, Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues that revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution but law. He antagonises Gregory by asserting that the most poetical of human creations is the timetable for the London Underground. He suggests Gregory is not really serious about anarchism, which so irritates Gregory that he takes Syme to an underground anarchist meeting place, under oath not to disclose its existence to anyone, revealing his public endorsement of anarchy is a ruse to make him seem harmless, when in fact he is an influential member of the local chapter of the European anarchist council...

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Sometimes described as thrilling, sometimes as comic, and sometimes as metaphysical or spiritual, The Man Who Was Thursday is perhaps a little of each. The tale begins when an undercover policeman infiltrates a mysterious Anarchist group. As the novel progresses, things become more comic and improbable, and eventually evolve in to a sort of abstract, dreamlike state. Filled with Christian allegory, Thursday is a glittering, fascinating exploration of good versus evil and theology through the lens of adventure, wit, and the surreal.

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