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OverviewFull Product DetailsAuthor: Michael Dobson (Assistant Professor of English, Assistant Professor of English, University of Illinois at Chicago)Publisher: Oxford University Press Imprint: Clarendon Press Edition: New edition Dimensions: Width: 13.60cm , Height: 1.60cm , Length: 21.60cm Weight: 0.403kg ISBN: 9780198183235ISBN 10: 0198183232 Pages: 276 Publication Date: 17 November 1994 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsperceptive study ... this is an accessible, lucidly persuasive and enjoyable work ... It makes an important contribution to the study of the Shakespeare phenomenon, but has no sense of bitterness or parti pris, and it offers a fresh and necessary realignment of thinking about the stage adaptations of the plays between the 1660s and the 1760s. Theatre Research International rich in insight ... clever, lucid and scrupulously researched London Review of Books Dobson ... is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation ... he has a strong grasp of the intricacies of eighteenth-century politics. Times Literary Supplement "`Michael Dobson has reviewed old material and found new material and judiciously shows the making of Shakespeare into a playwright for those times and for all times, a popular playwright for the Restoration and Eighteenth Century and a national playwright and outstanding literary giant ... an esential one for all Shakespeare libraries and serious scholars.' Bibliotheque D'Humanisme et Rensaissance (1993) 'Dobson's study, through its solid historicism, should make obsolete the more glibly sceptical strains of anti-bardolatry' R.S. White, University of Western Australia, Notes and Queries, March 1994 From the hardback: 'perceptive study ... this is an accessible, lucidly persuasive and enjoyable work ... It makes an important contribution to the study of the Shakespeare phenomenon, but has no sense of bitterness or parti pris, and it offers a fresh and necessary realignment of thinking about the stage adaptations of the plays between the 1660s and the 1760s.' Russell Jackson, University of Birmingham, Theatre Research International, Vol. 18, No. 3 1993 'For persons interested in how Shakespeare became the national poet, this volume is ""must"" reading. Reader-friendly notes (located at the bottoms of pages); extensive and valuable biography; reproductions of selected frontispieces from Shakespearean editions. Required for British intellectual history, Shakespearean criticism, and drama collections generally.' C.B. Darrell, Kentucky Wesleyan College, Choice, Jul/Aug '93 'The Enlightenment dies hard, but Dobson is to be thanked for so adroitly and cleverly ushering it along.' Margreta de Grazia, University of Pennsylvania, Modern Language Review, 25, 1995 `With no small measure both of wit and scholarship, Michael Dobson has produced a history of Bardolatry which brings alive the historical and textual processes by which Shakespeare became the English Ntional Poet...Dobson guides his reader helpfully through a wealth of dramatic material.' Journal of Eighteenth Century Studies `There are abundant scandalous stories in Michael Dobson's The Making of a National Poet...He has an entertaining story to tell, and does so with relish.' English Studies Vol 75 no 6 `This is a very witty book...which provides a readable and scholarly account of how Shakespeare was subject to what might be described as the literary theory current in the seventeenth and eighteenth centuries.' Literature and History 5/1" perceptive study ... this is an accessible, lucidly persuasive and enjoyable work ... It makes an important contribution to the study of the Shakespeare phenomenon, but has no sense of bitterness or parti pris, and it offers a fresh and necessary realignment of thinking about the stage adaptations of the plays between the 1660s and the 1760s. Theatre Research International rich in insight ... clever, lucid and scrupulously researched London Review of Books Dobson ... is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation ... he has a strong grasp of the intricacies of eighteenth-century politics. Times Literary Supplement Author InformationTab Content 6Author Website:Countries AvailableAll regions |