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Awards
OverviewFull Product DetailsAuthor: Francesco Casetti (Università Cattolica del Sacro Cuore)Publisher: Columbia University Press Imprint: Columbia University Press Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.411kg ISBN: 9780231172431ISBN 10: 0231172435 Pages: 312 Publication Date: 03 March 2015 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Language: English Table of ContentsAcknowledgments Introduction 1. Relocation 2. Relics/Icons 3. Assemblage 4. Expansion 5. Hypertopia 6. Display 7. Performance 8. The Persistence of Cinema in a Post-Cinematic Age Notes Bibliography IndexReviewsThis is a passionate defense of both cinema and cinema studies, written by someone with a thorough command of both film and media theory and driven by a passion for cinema that covers the latest and most advanced incarnations of the screen arts as well as their history. Intellectually astute, refreshing, and liberating, Casetti's work aims to give cinema a new lease of life both as a cultural object and an object of academic study. -- Vinzenz Hediger, Goethe University Frankfurt This welcome intervention in debates about the effect of digital technologies on cinema is strikingly original. Casetti refreshingly shifts the focus to the viewer's experience of the moving image in the new media landscape, offering a much needed riposte to those who have too quickly proclaimed the cinema to be dead. -- Malcolm Turvey, Sarah Lawrence College Francesco Casetti brilliantly navigates the digital transition, showing how cinema persists as an idea, a space, and a set of practices. Digital cinema is constantly in motion, elusive and evolving, and The Lumiere Galaxy provides us with the essential keywords for making sense of the changing dynamics of watching movies in a vast array of settings and on an endless variety of personal media devices. This book is vital for anyone engaged with the transformation of the cinematic experience in the digital age. -- Charles Tryon, author of On-Demand Culture: Digital Delivery and the Future of Movies This is a passionate defense of both cinema and cinema studies, written by someone with a thorough command of both film and media theory and driven by a passion for cinema that covers the latest and most advanced incarnations of the screen arts as well as their history. Intellectually astute, refreshing, and liberating, Casetti's work aims to give cinema a new lease on life both as a cultural object and an object of academic study. -- Vinzenz Hediger, Goethe University Frankfurt This welcome intervention in debates about the effect of digital technologies on cinema is strikingly original. Francesco Casetti refreshingly shifts the focus to the viewer's experience of the moving image in the new media landscape, offering a much needed riposte to those who have too quickly proclaimed the cinema to be dead. -- Malcolm Turvey, Sarah Lawrence College Francesco Casetti brilliantly navigates the digital transition, showing how cinema persists as an idea, a space, and a set of practices. Digital cinema is constantly in motion, elusive and evolving, and The Lumiere Galaxy provides us with the essential keywords for making sense of the changing dynamics of watching movies in a vast array of settings and on an endless variety of personal media devices. This book is vital for anyone engaged with the transformation of the cinematic experience in the digital age. -- Charles Tryon, author of On-Demand Culture: Digital Delivery and the Future of Movies Author InformationFrancesco Casetti is professor of film and media at Yale University. His most recent book is Eye of the Century: Film, Experience, Modernity. Tab Content 6Author Website:Countries AvailableAll regions |
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