The Lost Women of Rock Music: Female Musicians of the Punk Era

Author:   Helen Reddington
Publisher:   Equinox Publishing Ltd
Edition:   2nd Revised edition
ISBN:  

9781845539573


Pages:   272
Publication Date:   17 April 2012
Format:   Paperback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Our Price $66.00 Quantity:  
Add to Cart

Share |

The Lost Women of Rock Music: Female Musicians of the Punk Era


Add your own review!

Overview

In Britain during the late 1970s and early 1980s, a new phenomenon emerged, with female guitarists, bass-players, keyboard-players and drummers playing in bands. Before this time, women's presence in rock bands, with a few notable exceptions, had always been as vocalists. This sudden influx of female musicians into the male domain of rock music was brought about partly by the enabling ethic of punk rock ('anybody can do it!') and partly by the impact of the Equal Opportunities Act. But just as suddenly as the phenomenon arrived, the interest in these musicians evaporated and other priorities became important to music audiences. In an updated new paperback edition of a book originally published in hardcover in 2007, Helen Reddington investigates the social and commercial reasons for how these women became lost from the rock music record, and rewrites this period in history in the context of other periods when female musicians have been visible in previously male environments. Reddington draws on her own experience as bass-player in a punk band, thereby contributing a fresh perspective on the socio-political context of the punk scene and its relationship with the media. In addition to a wealth of original interview material with key protagonists, including the late John Peel, Geoff Travis, The Raincoats and the Poison Girls, this edition has been updated to reflect the national nature of punk and post-punk with the inclusion of interviews from members of Birmingham-based band The Au Pairs, Leeds-based band The Delta 5 and Viv Albertine of The Slits. Lucy Whitman (aka Lucy Toothpaste) who started the fanzine Jolt and later wrote for Spare Rib also provides enlightening words on the relationship between female punk band members and feminism.

Full Product Details

Author:   Helen Reddington
Publisher:   Equinox Publishing Ltd
Imprint:   Equinox Publishing Ltd
Edition:   2nd Revised edition
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.399kg
ISBN:  

9781845539573


ISBN 10:   1845539575
Pages:   272
Publication Date:   17 April 2012
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

Introduction 1. A ladder through the glass ceiling? 2. Media gatekeepers and cultural intermediaries 3. The Brighton scene 4. Noise, violence and femininity 5. The aftermath 6. The social context: academic writing on subcultures, the rock press and 'women in music' 7. Conclusion

Reviews

Praise for the first edition ' - an entertaining and important book - ' Mojo ' - a fascinating social and cultural history - ' Popular Music


Author Information

Helen Reddington teaches at the School of Social Sciences, Media and Cultural Studies, at the University of East London, UK.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

MRG2025CC

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List