The Lively Arts of the London Stage, 1675-1725

Author:   Kathryn Lowerre
Publisher:   Ashgate Publishing Group (Digital)
Edition:   New edition
ISBN:  

9781409455325


Pages:   250
Publication Date:   01 March 2014
Format:   Electronic book text
Availability:   Available To Order   Availability explained
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The Lively Arts of the London Stage, 1675-1725


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Full Product Details

Author:   Kathryn Lowerre
Publisher:   Ashgate Publishing Group (Digital)
Imprint:   Ashgate Publishing Limited
Edition:   New edition
ISBN:  

9781409455325


ISBN 10:   1409455327
Pages:   250
Publication Date:   01 March 2014
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Electronic book text
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Contents: Introduction; Part I First, Music: Settings of Congreve's Judgment of Paris: The singers of The Judgment of Paris, Olive Baldwin and Thelma Wilson; Harmonica Anglicana, or finger's failure in 'the price musick', Robert Rawson; 'The prize musick' of 1701: a reinvestigation of the staging issue, Matt Robertson. Part II Mainpiece: The Lively Arts of the London Stage: The composing of 'musick' in the English language: the English cantata, 1701-1710, Jennifer Cable; Inspired by Cecilia's fire: Johann Pepusch's The Union of the Three Sister Arts (1723), Sean Parr; From Scaramouche to Harlequin: dances 'in grotesque characters' on the London stage, Jennifer Thorp; Music, magic, and morality: stage reform and the pastoral mode, Timothy Neufeldt; Madness 'free from vice': musical eroticism in the pastoral world of The Fickle Shepherdess, Amanda Eubanks Winkler; 'Let all be husht': songs in praise of Anne Bracegirdle and Arabella Hunt, Anthony Rooley; Burning and stoic men: mad rants and the performance of passionate pain in the plays of Nathaniel Lee, 1674-1678, Jennifer Renee Danby; Appreciating Bononcini's Astianette (1727): an Italian opera for the London stage, Suzana Ograjen'ek. Part III Afterpiece: Comedy, Farce, and Competition: Thr right to write, or, Colley Cibber and The Drury Lane Monster, Melissa Bloom Bissonette; 'Quotation is the sincerest form of...?: signature songs as intertheatrical references, Kathryn Lowerre; Bibliography; Index.

Reviews

...a fascinating collection of approaches to the London stage during a critical period.' -Ellen T. Harris, Massachusetts Institute of Technology, USA


Author Information

Kathryn Lowerre is a musicologist and an editor of John Eccles' collected works (A-R Editions). She has taught at Michigan State University, Colby College, and the University of Michigan, USA.

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