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OverviewFull Product DetailsAuthor: Kathryn LowerrePublisher: Ashgate Publishing Group (Digital) Imprint: Ashgate Publishing Limited Edition: New edition ISBN: 9781409455325ISBN 10: 1409455327 Pages: 250 Publication Date: 01 March 2014 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Electronic book text Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsContents: Introduction; Part I First, Music: Settings of Congreve's Judgment of Paris: The singers of The Judgment of Paris, Olive Baldwin and Thelma Wilson; Harmonica Anglicana, or finger's failure in 'the price musick', Robert Rawson; 'The prize musick' of 1701: a reinvestigation of the staging issue, Matt Robertson. Part II Mainpiece: The Lively Arts of the London Stage: The composing of 'musick' in the English language: the English cantata, 1701-1710, Jennifer Cable; Inspired by Cecilia's fire: Johann Pepusch's The Union of the Three Sister Arts (1723), Sean Parr; From Scaramouche to Harlequin: dances 'in grotesque characters' on the London stage, Jennifer Thorp; Music, magic, and morality: stage reform and the pastoral mode, Timothy Neufeldt; Madness 'free from vice': musical eroticism in the pastoral world of The Fickle Shepherdess, Amanda Eubanks Winkler; 'Let all be husht': songs in praise of Anne Bracegirdle and Arabella Hunt, Anthony Rooley; Burning and stoic men: mad rants and the performance of passionate pain in the plays of Nathaniel Lee, 1674-1678, Jennifer Renee Danby; Appreciating Bononcini's Astianette (1727): an Italian opera for the London stage, Suzana Ograjen'ek. Part III Afterpiece: Comedy, Farce, and Competition: Thr right to write, or, Colley Cibber and The Drury Lane Monster, Melissa Bloom Bissonette; 'Quotation is the sincerest form of...?: signature songs as intertheatrical references, Kathryn Lowerre; Bibliography; Index.Reviews...a fascinating collection of approaches to the London stage during a critical period.' -Ellen T. Harris, Massachusetts Institute of Technology, USA Author InformationKathryn Lowerre is a musicologist and an editor of John Eccles' collected works (A-R Editions). She has taught at Michigan State University, Colby College, and the University of Michigan, USA. Tab Content 6Author Website:Countries AvailableAll regions |