Overview

What made art modern? What is modern art? The Legends of the Modern demystifies the ideas and ""legends"" that have shaped our appreciation of modern art and literature. Beginning with an examination of the early modern artists Shakespeare, Michelangelo, and Cervantes, Didier Maleuvre demonstrates how many of the foundational works of modern culture were born not from the legendry of expressive freedom, originality, creativity, subversion, or spiritual profundity but out of unease with these ideas. This ambivalence toward the modern has lain at the heart of artistic modernity from the late Renaissance onward, and the arts have since then shown both exhilaration and disappointment with their own creative power. The Legends of the Modern lays bare the many contradictions that pull at the fabric of modernity and demonstrates that modern art's dissatisfaction with modernity is in fact a vital facet of this cultural period.

Full Product Details

9781501371974

Table of Contents

Reviews

Ambitious, persuasive, illuminating, and sometimes bracingly provocative in its efforts to demystify the 'legends' of modern art. Didier Maleuvre makes striking observations and arguments particularly in relation to the nature of 'unfinished' art and the 'aristocracy' of artists such as Marcel Duchamp, which diverge compellingly from established understandings about such matters-and which I imagine students would find particularly beneficial as they grapple with some of their frustrations with discussing modern art. * Rona Cran, Lecturer in 20th-Century American Literature, University of Birmingham, UK * Didier Maleuvre tells a tale that is quixotically novel. The Legends of the Modern reveals how modern artists tilt at the windmills of their own modernity-'out with the old' along with 'out with the new.' * James Panero, Executive Editor of The New Criterion *

Ambitious, persuasive, illuminating, and sometimes bracingly provocative in its efforts to demystify the ‘legends’ of modern art. Didier Maleuvre makes striking observations and arguments particularly in relation to the nature of ‘unfinished’ art and the ‘aristocracy’ of artists such as Marcel Duchamp, which diverge compellingly from established understandings about such matters—and which I imagine students would find particularly beneficial as they grapple with some of their frustrations with discussing modern art. * Rona Cran, Lecturer in 20th-Century American Literature, University of Birmingham, UK * Didier Maleuvre tells a tale that is quixotically novel. The Legends of the Modern reveals how modern artists tilt at the windmills of their own modernity—‘out with the old’ along with ‘out with the new.’ * James Panero, Executive Editor of The New Criterion *

Author Information

Didier Maleuvre is Professor of Comparative Literature and French Studies at the University of California, Santa Barbara, USA. He is the author of Museum Memories: History, Technology, Art (1999), The Religion of Reality: Inquiry into the Self, Art, and Transcendence (2006), The Horizon: A History of our Infinite Longing (2011), and The Art of Civilization: A Bourgeois History (2016).

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available