Late Modernist Style in Samuel Beckett and Emmanuel Levinas

Author:   P. Fifield
Publisher:   Palgrave Macmillan
ISBN:  

9781137294074


Pages:   206
Publication Date:   20 March 2013
Format:   Hardback
Availability:   In Print   Availability explained
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Late Modernist Style in Samuel Beckett and Emmanuel Levinas


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Overview

Beckett and Levinas are of central importance to critical debates about literary ethics. Rather than suggest the preservation of literary and ethical value in the wake of the WWII, this book argues that both launched a sustained attack on the principles of literature, weaving narrative, and descriptive doubt through phenomenology, prose, and drama.

Full Product Details

Author:   P. Fifield
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.20cm , Length: 21.60cm
Weight:   3.845kg
ISBN:  

9781137294074


ISBN 10:   1137294078
Pages:   206
Publication Date:   20 March 2013
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction PART I 1. Writing against Art 2. A Reluctant Poetics PART II 3. ""why after all not say without further ado what can later be unsaid"" (Company) 4. ""begin again all over more or less in the same place or in another"" (How It Is) 5. The Turn to Hyperbole Conclusion"

Reviews

When he was a war prisoner in Germany, Emmanuel Levinas was entertaining dreams of becoming a famous novelist. Fifield's fascinating study explains why, had he written the novels he was planning, they would have looked more like Beckett's texts than like Proust's: faces letting an infinite otherness shine through them, infinitesimal traces of traces, an 'otherwise than being' conveyed via a syntax of weakness made all the stronger by exaggerating its inability to say anything. Again and again, we are made to share the process of unsaying the said or unwording the word. Fifield provides a beautiful and compelling assessment of the convergence between the master of French phenomenology and the verbal genius of the Irish writer. - Jean-Michel Rabate, Vartan Gregorian Professor in the Humanities, University of Pennsylvania


""When he was a war prisoner in Germany, Emmanuel Levinas was entertaining dreams of becoming a famous novelist. Fifield's fascinating study explains why, had he written the novels he was planning, they would have looked more like Beckett's texts than like Proust's: faces letting an infinite otherness shine through them, infinitesimal traces of traces, an 'otherwise than being' conveyed via a syntax of weakness made all the stronger by exaggerating its inability to say anything. Again and again, we are made to share the process of unsaying the said or unwording the word. Fifield provides a beautiful and compelling assessment of the convergence between the master of French phenomenology and the verbal genius of the Irish writer."" - Jean-Michel Rabaté, Vartan Gregorian Professor in the Humanities, University of Pennsylvania


Author Information

Peter Fifield is a junior research fellow at St John s College, University of Oxford.

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