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OverviewBeckett and Levinas are of central importance to critical debates about literary ethics. Rather than suggest the preservation of literary and ethical value in the wake of the WWII, this book argues that both launched a sustained attack on the principles of literature, weaving narrative, and descriptive doubt through phenomenology, prose, and drama. Full Product DetailsAuthor: P. FifieldPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.20cm , Length: 21.60cm Weight: 3.845kg ISBN: 9781137294074ISBN 10: 1137294078 Pages: 206 Publication Date: 20 March 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Introduction PART I 1. Writing against Art 2. A Reluctant Poetics PART II 3. ""why after all not say without further ado what can later be unsaid"" (Company) 4. ""begin again all over more or less in the same place or in another"" (How It Is) 5. The Turn to Hyperbole Conclusion"ReviewsWhen he was a war prisoner in Germany, Emmanuel Levinas was entertaining dreams of becoming a famous novelist. Fifield's fascinating study explains why, had he written the novels he was planning, they would have looked more like Beckett's texts than like Proust's: faces letting an infinite otherness shine through them, infinitesimal traces of traces, an 'otherwise than being' conveyed via a syntax of weakness made all the stronger by exaggerating its inability to say anything. Again and again, we are made to share the process of unsaying the said or unwording the word. Fifield provides a beautiful and compelling assessment of the convergence between the master of French phenomenology and the verbal genius of the Irish writer. - Jean-Michel Rabate, Vartan Gregorian Professor in the Humanities, University of Pennsylvania ""When he was a war prisoner in Germany, Emmanuel Levinas was entertaining dreams of becoming a famous novelist. Fifield's fascinating study explains why, had he written the novels he was planning, they would have looked more like Beckett's texts than like Proust's: faces letting an infinite otherness shine through them, infinitesimal traces of traces, an 'otherwise than being' conveyed via a syntax of weakness made all the stronger by exaggerating its inability to say anything. Again and again, we are made to share the process of unsaying the said or unwording the word. Fifield provides a beautiful and compelling assessment of the convergence between the master of French phenomenology and the verbal genius of the Irish writer."" - Jean-Michel Rabaté, Vartan Gregorian Professor in the Humanities, University of Pennsylvania Author InformationPeter Fifield is a junior research fellow at St John s College, University of Oxford. Tab Content 6Author Website:Countries AvailableAll regions |