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9781786608673

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A masterpiece - this sober but engaging book offers a renewal of social theory and a fresh impulse for historical-comparative sociology at the same time. Essential reading for all those who look for a better understanding of the twentieth century as well as for the modernity, democracy and capitalism of our time.--Peter Wagner, ICREA Research Professor in Social and Behavioural Sciences, University of Barcelona Johann Arnason is among the leading social theorists of our era. But in The Labyrinth of Modernity he argues that our era is not a single object to be theorized. Rather, it is a 'problematic', a cluster of connected but not unitary forms and themes, subject to change as tensions and possibilities are worked out. As always his thinking is stimulating and significant.--Craig Calhoun, Professor of Social Sciences, Arizona State University, USA This is a breathtaking and deeply insightful study of the formation of modernity in global perspective. It is historical sociology at its very best, a sweeping account of the major historical transformations of modernity. In this pathbreaking work, Arnason makes brilliant use of the notion of social imaginaries in the making of the modern world.--Gerard Delanty, Professor of Sociology and Social and Political Thought, University of Sussex

Author Information

Johann P. Arnason is professor emeritus of sociology at La Trobe University, and an editor-at-large of the journal Social Imaginaries. His many publications include Civilizations in Dispute: Historical Questions and Theoretical Traditions (2003), Axial Civilizations and World History (ed. with S.N. Eisenstadt and B. Wittrock, 2005), The Roman Empire in Context: Historical and Comparative Perspectives (ed. with K. Raaflaub, 2011), The Greek Polis and the Invention of Democracy: A Politico-Cultural Transformation and its Interpretations (ed. with K. Raaflaub and P. Wagner, 2013), Social Transformations and Revolutions (ed. with M. Hrubec, 2016); and Anthropology and Civilizational Analysis (ed. with Chris Hann, 2018).

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