Free Delivery Over $100
|
|
|||
|
||||
OverviewThe Kwagh-hir Theater: A Weapon for Social Action represents a significant milestone in the documentation and theorization of non-Western theater. The book describes how the Tiv people of Nigeria used their indigenous theater to fight against British colonialism and oppression by dominant groups in Nigeria. It celebrates the power of the theater to give voice to the voiceless and to become a catalyst for positive change. Full Product DetailsAuthor: Iyorwuese HagherPublisher: University Press of America Imprint: University Press of America Dimensions: Width: 15.90cm , Height: 2.60cm , Length: 23.60cm Weight: 0.549kg ISBN: 9780761862499ISBN 10: 0761862498 Pages: 286 Publication Date: 14 November 2013 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsA Foreword and a Celebration Preface Introduction: The Theater as a Weapon Chapter One: Tiv Worldview; the Context of the Kwagh-hir Chapter Two: Searching for the Rubrics Chapter Three: Organization and Form Chapter Four: Kwagh-hir Aesthetics Chapter Five: Kwagh-hir as Model Theater for Social Action Appendix A: Tiv Kwagh-Hir Carvers and Their Works Appendix B: Glossary of Tiv Words Bibliography IndexReviewsProfessor Hagher reveals and analyses these theatrical performances with keen insight and deep knowledge. A wonderful addition to the literature on African masquerade and theater. -- Herbert Skip Cole, author of Ideals and power in the Art of Africa This book is an occasion for anyone who cares about theater, scholarship, and cultural survival. -- Don Rubin, York University, Toronto, editor of the six-volume World Encyclopedia of Contemporary Theater Hagher's trenchant defence of the Kwagh-hir's collective capacity for community well-being and social change makes this study important and highly significant for practitioners of applied theater in the globalized twenty-first century. -- Michael Etherton, author of The Development of African Drama and author with James Reed of Chikwakwa Remembered: Theater and Politics in Zambia 1968-1972 The authenticity of this book is the result of a combination of lived experience and rigorous research that has spanned over three decades. It is a unique book that will continue to be an asset to scholars and students of culture, and especially for those who want to understand the interface between culture, voice and change. -- Oga Steve Abah, professor of theater and culture for development, Ahmadu Bello University, Zaria, Nigeria Author InformationIyorwuese Hagher is a professor of theater and drama and former chair of the Department of Theater and Communications Arts at the University of Jos. A scholar, diplomat, and activist, he was Nigeria’s ambassador to Mexico, the high commissioner to Canada, and a former Nigerian senator and minister. He is also a playwright, poet, and the founder and head of the African Leadership Institute in Dayton, Ohio. Tab Content 6Author Website:Countries AvailableAll regions |
||||
