Overview

A collection of essays that considers the editorial and interpretive strategies for dealing with complex Shakespearean texts In his own time, Shakespeare was not a monument, but a man of the theater whose plays were less finished artifacts than works in process. In contrast to a book, a thing we have come to think of as final and achieved, a play is a work for performance, with each performance based only in part on a text we call a script. That script may well have had imperfections that the actors may or may not have noticed as they turned it into a performance. There were multiple versions of the scripts and never a ""final"" one. Every revival of a play—indeed, every subsequent performance—was and always will be different. Nevertheless, when we study Shakespeare, we are likely to come to him via printed texts that are scripts masquerading as books, and the impulse is to turn them into finished artifacts worthy of their author's dignity. In The Invention of Shakespeare, and Other Essays Stephen Orgel brings together twelve essays that consider the complex nature of Shakespearean texts, which often include errors or confusions, and the editorial and interpretive strategies for dealing with them in commentary or performance. ""There is always some underlying claim that we are getting back to 'what Shakespeare actually wrote,'"" Orgel writes, ""but obviously that is not true: we clarify, we modernize, we undo muddles, we correct or explain (or explain away) errors, all in the interests of getting a clear, readable, unproblematic text. In short, we produce the text that we want him to, or think he must have written. But one thing we really do know about Shakespeare's original text is that it was hard to read.""

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9781512827941

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Reviews

"""[A]n illuminating journey through thirty years of insight from one of the world's foremost Shakespearean scholars. Throughout, Orgel eschews the existence of a final written version of a Shakespearean play. He encourages rather a vision of Shakespeare's plays as ever-evolving works to be staged...[A] useful and informative guide for the scholar of Shakespeare and those with a general interest in the Bard. It confirms Orgel's position as one of the most learned and prolific Shakespearean experts, whose insights continue to educate and inspire.""-- ""Forum for Modern Language Studies"" ""Stephen Orgel is one of the greatest Shakespeare and early modern scholars of our time, and every single one of these pieces is engaging, exhilarating, revelatory, thought-provoking.""-- ""Peter Holland, University of Notre Dame"" ""Stephen Orgel is interested in books and plays. But throughout The Invention of Shakespeare, Orgel is adamant that a/the book is not the play. These essays, written over thirty years, have an argumentative throughline...as he demonstrates the varied ways in which plays are mutable...The 'invention' of the book's title is about the way editors, critics and eras give a fixed identity to a figure we confidently but misleadingly identify as 'Shakespeare'....Throughout these essays we are treated to Orgel's brilliance as a literary critic and close reader. He moves not just effortlessly but analogously from material books - a study of blanks, lacunae, the empty parentheses.""-- ""Times Literary Supplement"""

Author Information

Stephen Orgel is Jackson Eli Reynolds Professor in Humanities, Emeritus, at Stanford University. He is author of many books, including most recently Wit's Treasury: Renaissance England and the Classics, also available from the University of Pennsylvania Press.

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