Overview

This book argues that the intensive-image constitutes an important cinematic category that prompts a rethinking of Deleuze's taxonomy of images in his Cinema 1: The Movement-Image and Cinema 2: The Time-Image.Escobar explores the proposition that the notion of intensity has the potential to change the way in which we think about Deleuze's classification of films as signifying two separate periods, the classical period of the movement-image and the modern period of the time-image, thereby bringing them together and overcoming the separation that the philosopher creates. This book also explores the ways in which the intensive-image varies and differentiates itself from other images and the role it plays in contemporary cinema.

Full Product Details

Author:   Cristóbal Escobar (Lecturer in Screen Studies, University of Melbourne)
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781399517539

ISBN 10:   1399517538
Pages:   256
Publication Date:   17 October 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable  
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Introduction Section One: Re-thinking Deleuze’s Film-Philosophy Chapter One. Towards the Intensification of the Cinema Chapter Two. Luis Buñuel’s Nomadic Vision: Departures from an Originary World Chapter Three. Human Infancy and the Language of Beginnings: The Wild Child and The Enigma of Kaspar Hauser Chapter Four. In Between Modernities and the Contemporaneous Section Two: The Politics and Poetics of the Intensive-Image in Contemporary Cinema Chapter Five. Resistance in The Lobster: Mapping an Intensive-Image in Contemporary Popular Film Chapter Six. Zama and the Method of Dramatization: From Di Benedetto’s Novel to Martel’s Film Chapter Seven. What do Animals Teach Us About Intensity? On Sweetgrass and SEL’s Bodily Praxis Conclusion. The Passion of Intensity Postscript Bibliography

Reviews

"""Gilles Deleuze's monumental cinema books privileged properties of movement and time, differentiating the classical from the modern. Crist bal Escobar respectfully re-opens Deleuze's books in order to emphasize a term that cuts across and unifies all these categories: intensity. His contribution is brilliant and radical, leading us to experience films anew."" -Adrian Martin, Film Critic, Monash University"

""Gilles Deleuze's monumental cinema books privileged properties of movement and time, differentiating the classical from the modern. Crist bal Escobar respectfully re-opens Deleuze's books in order to emphasize a term that cuts across and unifies all these categories: intensity. His contribution is brilliant and radical, leading us to experience films anew."" -Adrian Martin, Film Critic, Monash University

Author Information

Cristóbal Escobar is a Lecturer in Screen Studies at the University of Melbourne, Film Programmer at FIDOCS and Co-Founder of the Screening Ideas program.

Tab Content 6

Author Website:  

Countries Available

All regions