|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Kannan Krishnan (Universit? de Montr?al) , Ananda Kentish Muthu CoomaraswamyPublisher: Createspace Independent Publishing Platform Imprint: Createspace Independent Publishing Platform Dimensions: Width: 15.20cm , Height: 0.50cm , Length: 22.90cm Weight: 0.127kg ISBN: 9781720879060ISBN 10: 1720879060 Pages: 80 Publication Date: 07 January 2018 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsAuthor InformationAnanda Kentish Muthu Coomaraswamy was a Ceylonese Tamil philosopher and Metaphysicist, as well as a pioneering historian and philosopher of Indian art, particularly art history and symbolism, and an early interpreter of Indian culture to the West. Ananda Kentish Coomaraswamy (1877-1947) was one of the great art historians of the twentieth century whose multifaceted writings deal primarily with visual art, aesthetics, literature and language, folklore, mythology, religion, and metaphysics. His most mature works adeptly expound the perspective of the perennial philosophy by drawing on a detailed knowledge of the arts, crafts, mythologies, cultures, folklores, symbolisms, and religions of both the East and the West. Along with Rene Guenon and Frithjof Schuon, Ananda Coomaraswamy is considered as a leading member of the Traditionalist or Perennialist school of comparative religious thought. Born in Ceylon in 1877 of a Tamil father and an English mother, Coomaraswamy was brought up in England following the early death of his father. He was educated at Wycliffe College and at London University where he studied botany and geology. As part of his doctoral work Coomaraswamy carried out a scientific survey of the mineralogy of Ceylon and seemed poised for an academic career as a geologist. However, under pressure from his experiences, while engaged in his fieldwork, he became absorbed in a study of the traditional arts and crafts of Ceylon and of the social conditions under which they had been produced. In turn, he became increasingly distressed by the corrosive effects of British colonialism. In the years between 1900 and 1913, Coomaraswamy moved backward and forwards between Ceylon, India, and England. In India, he formed close relationships with the Tagore family and was involved in both the literary renaissance and the Swadeshi movement. All the while in the subcontinent he was researching the past, investigating arts and crafts, uncovering forgotten and neglected schools of religious and court art, writing scholarly and popular works, lecturing, and organizing bodies such as the Ceylon Social Reform Society and, in England, the India Society. Tab Content 6Author Website:Countries AvailableAll regions |