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OverviewThe most comprehensive, smart, helpful and inspiring guide to improve available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes. From The Improv Handbook: The problem for improvisers is anxiety. faced with a lot of nameless eyes staring at us, and feeling more than anything else like prey, we are likely to want to display very consistent behavior, so that anyone who looks at us, looks away and then looks back sees the same thing. Thus we become boring, we fade into the background, and we cease to be of interest. The Improv Handbook provides everything someone interested in improvisational comedy needs to know, as written by a husband and wife comedy duo with years of experience and teaching in the field. in addition to providing a comprehensive history of improvisational theater as a backdrop, it also looks at modern theories and practices of improvisation on a global scale, including how the form of comedy has evolved differently in different parts of the world, from Europe to the UK to the Chicago scene. The Improv Handbook also contains an essential performance segment that details different formats of improvisation. Chapter topics include Theatresports, Micetro, Gorilla Theatre, and the inventions of Keith Johnstone and Del Close as well as other popular forms of improv, like those on ""Whose Line is it Anyway."" The core section of the book is called simply, ""How to Improvise"" and delves into issues of spontaneity, the fundamentals of storytelling, working together, upping the ante, and character development. The book concludes with sections on how to improvise in front of an audience and- just as crucially- how to attract an audience in the first place. Full Product DetailsAuthor: Tom Salinsky , Deborah Frances-White (Stand-up Comedian, UK)Publisher: Bloomsbury Publishing PLC Imprint: Continuum International Publishing Group Ltd. Dimensions: Width: 15.30cm , Height: 2.80cm , Length: 22.80cm Weight: 0.680kg ISBN: 9780826428592ISBN 10: 0826428592 Pages: 448 Publication Date: 01 July 2008 Audience: General/trade , General Format: Hardback Publisher's Status: Out of Print Availability: Out of stock ![]() Language: English Table of Contents"Part One: Improvisation History Antiquity: Forms of improvisation from before the 20th Century Johnstone / Calgary: Keith Johnstone, the Theatre Machine, and the Loose Moose Close / Chicago: Del Close and the Chicago scene Spolin: The Compass Players and Viola Spolin's continuing influence The World Over: The spread of improvised theatre across Europe, America and the rest of the world The Spontaneity Shop / UK: Improvisation in the UK - a personal history Performance TheatreSports: The grandaddy of them all Micetro, Gorilla Theatre, LifeGame: Later inventions of Keith Johnstone The Harold and Its Relations: Del Close's way of doing things The Rest: Less interesting, influential, or popular forms: ""Whose Line Is It Anyway""; ""Improvised"" films and television; TellTales; X-improvised. Intermission: Great Teachers Part Two: How to Improvise Core Beliefs Storytelling: Improvisation isn't about jokes, or about ""anything goes"". It's about telling a story. Failure - on and off the stage: Why ""we suck and we love to fail"" is the most important thing anyone's ever said to us. How To Use This Section Day One Spontaneity: Pointing at things; What are you doing? Saying ""Yes"": Block/Offer/Accept; Yes and... Day Two Fundamentals of Storytelling: Platforms - go through an unusual door; Breaking routines; The right trouble for the right hero; Reincorporation Day Three Status: What status is and what it isn't; High status and low status ""triggers""; Status and space; Status is relative Day Four Working Together: Tug of war; Word at a time; Speak in one voice; Dubbing Day Five Being Changed: Status switch; Gibberish; It's Tuesday Day Six Upping the Ante: Jump and justify; Boris; He said she said; Questions only You can't learn mime from a book Day Seven Characters: Changing the body image; Characters from a hat Day Eight: Blind Offers Intermission: The rules and why there aren't any Part Three: How To Improve All Talk and No Action Silent scenes Gibberish Three word sentences Can't Define, Won't Define Solid as a Rock Shoe shops It's Tuesday The Gagmeister General Story Woes Continue or thank you Shoe shops Character Twins Intermission: Game Corruption Part Four: How To Improvise In Public Feel the Fear and Do It Anyway Nuts and Bolts The group The venue Press and publicity Preparation On the day Next steps Pick Your Format Licensed formats Unlicensed formats Innovating formats Intermission: Truth in Comedy in Bits and Pieces Part Five: How To Improvise All Over the World Getting On the Television Getting On the Festival Circuit Hosting Your Own Festival Intermission: ""Please don't..."" Part Six: Making Improvisation Pay The Corporate Market Corporate Training Corporate Entertainment Intermission: Why Improvisation Part Seven: Talk the Talk - Interviews with Improvisers Tom and Deborah interview each other Keith Johnstone Dan O'Connor Patti Stiles Paul Sills Charna Halpern Plus several more alumni of shows like Saturday Night Live and The Daily Show, who we should be able to include Part Eight: Final Thoughts Glossary, bibliography, index, useful contacts"ReviewsTitle mention in Bookseller Buyers Guide. Cofounders of the London-based improvisational theater company The Spontaneity Shop, Salinsky and Frances-White provide a wonderful addition to the growing literature on theatrical improvisation. The book can serve as both a scholarly resource, since it covers the history of improvisation from its beginnings to the present, and a practical guide, for the beginner and advanced improviser... The authors include interviews with ten leading international improvisers, and they conclude with an appendix that details many of the most common improvisational games used in academic and professional settings. This book is a must for institutions supporting theater and performance programs. Summing Up: Highly recommended. All readers, all levels. -S.W. Cole, CHOICE, January 2009 Cofounders of the London-based improvisational theater company The Spontaneity Shop, Salinsky and Frances-White provide a wonderful addition to the growing literature on theatrical improvisation. The book can serve as both a scholarly resource, since it covers the history of improvisation from its beginnings to the present, and a practical guide, for the beginner and advanced improviser... The authors include interviews with ten leading international improvisers, and they conclude with an appendix that details many of the most common improvisational games used in academic and professional settings. This book is a must for institutions supporting theater and performance programs. Summing Up: Highly recommended. All readers, all levels. -S.W. Cole, CHOICE, January 2009 Title mention in Bookseller Buyers Guide. Cofounders of the London-based improvisational theater company The Spontaneity Shop, Salinsky and Frances-White provide a wonderful addition to the growing literature on theatrical improvisation. The book can serve as both a scholarly resource, since it covers the history of improvisation from its beginnings to the present, and a practical guide, for the beginner and advanced improviser... The authors include interviews with ten leading international improvisers, and they conclude with an appendix that details many of the most common improvisational games used in academic and professional settings. This book is a must for institutions supporting theater and performance programs. Summing Up: Highly recommended. All readers, all levels. --S.W. Cole, CHOICE, January 2009 Cofounders of the London-based improvisational theater company The Spontaneity Shop, Salinsky and Frances-White provide a wonderful addition to the growing literature on theatrical improvisation. The book can serve as both a scholarly resource, since it covers the history of improvisation from its beginnings to the present, and a practical guide, for the beginner and advanced improviser... The authors include interviews with ten leading international improvisers, and they conclude with an appendix that details many of the most common improvisational games used in academic and professional settings. This book is a must for institutions supporting theater and performance programs. Summing Up: Highly recommended. All readers, all levels. -S.W. Cole, CHOICE, January 2009 Author InformationTom Salinsky is the co-founder (with his wife Deborah Frances-White) of The Spontaneity Shop. He and Deborah have performed improvisation for The Royal Court, The RSC Summer Season, The Gilded Balloon at the Edinburgh Festival, and at the Bloomsbury Theatre. They have toured the world and performed at many comedy festivals by invitation. They teach at RADA, The Actors Centre, The National Youth Theatre, and many other colleges and institutions, as well as their own successful workshop program. Deborah Frances-White is a stand-up comedian best known for her BBC Radio 4 show Deborah Frances-White Rolls the Dice. She’s performed comedy around the world including The Edinburgh Festival, The Melbourne International Comedy Festival and Roadshow and The London Storytelling Festival. For more info see deborahfrances-white.com. Tab Content 6Author Website:Countries AvailableAll regions |