Overview

The women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper' Feminine draws attention to key gendered interrelationships within the literary and wider cultures of the mid-Victorian and fin-de-diècle periods.

Full Product Details

Author:   Lyn Pykett
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.154kg
ISBN:  

9780415862066

ISBN 10:   041586206
Pages:   248
Publication Date:   31 October 2013
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Part 1 The ‘Improper’ Feminine; Chapter 1 Gender and writing, writing and gender; Chapter 2 The subject of Woman; Chapter 3 The subject of Woman and the subject of women’s fiction; Chapter 4 Fiction and the feminine: a gendered critical discourse; Chapter 5 Fiction, the feminine and the sensation novel; Chapter 6 Representation and the feminine: engendering fiction in the 1890s; Part 2 The Sentimental and Sensational Sixties: The Limits of the Proper Feminine; Chapter 7 Historicising genre (1): the cultural moment of the woman’s sensation novel; Chapter 8 Surveillance and control: women, the family and the law; Chapter 9 Spectating the Social Evil: fallen and other women; Chapter 10 Reviewing the subject of women: the sensation novel and the ‘Girl of the Period’; Chapter 11 Historicising genre (2): sensation fiction, women’s genres and popular narrative forms; Chapter 12 Mary Elizabeth Braddon: the secret histories of women; Chapter 13 Ellen Wood: secret skeletons in the family, and the spectacle of women’s suffering; Part 3 Breaking the Bounds; Chapter 14 The New Woman; Chapter 15 The New Woman writing and some marriage questions; Chapter 16 Writing difference differently; Chapter 17 Feeling, motherhood and True Womanhood; Chapter 18 Woman’s ‘affectability’ and the literature of hysteria; Chapter 19 Writing women: writing woman; Chapter 20 New Woman: new writing; Chapter 21 Conclusion: reading out women’s writing;

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Lyn Pykett

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