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9781138703353

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From energetics and automatism to information and development, this trenchant and wide-ranging account of the Americanization of Soviet productivism via Knud Lonberg-Holm and his sphere of associates is a much-needed synthesis of those figures who advocated for a more instrumental modern architecture. In correlating Lonberg-Holm's intellectual trajectory with his collaborative work in the organization and integration of American architectural practice and industrial production, Suzanne Strum foregrounds a figure whose self-imposed invisibility allowed for a pivotal role in shaping American architecture. Glenn Forley, School of Constructed Environments, Parsons School of Design, New York, USA. By focusing on the personal and intellectual trajectory of Knudã Lonberg-Holm, an intriguing, lesser-known Danish modern designer, Suzanne Strum unfoldsã a refreshingã reviewã of the architectural debate in the 1930s around Structural Study Associatesã (SSA)ã and Fuller --in addition toã a renewed view on the transfer of architecturalã ideas between Europe and North America in the first half of the twentieth century. Xavier Costa, Professorã of Architecture, Northeastern University, Boston, USA Strum details in lucid prose the contributions made by Knud Lonberg-Holm to the `production' of modern architecture, focusing on the organization of building systems, the circulation of technical knowledge and the monitoring of architectural performance. Alongside Buckminster Fuller and a dynamic group of colleagues, Lonberg-Holm pushed the genteel profession of architecture towards the `scientific' coordination of environments. From amid a vast web of relations implicating architects, clients, magazines, corporations, catalogs and artefacts - Strum discovers a compelling pre-history to the central role played by data and feedback in the discourse and practice of architecture today. David Smiley, Columbia GSAPP, USA.

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Suzanne Strum is an architect and scholar whose research focuses on the interrelation of technology and design. She teaches in international programs in Barcelona and was previously Co-Director of the Metropolis Master in Architecture and Urban Culture at the Centre of Contemporary Culture of Barcelona and the Universitat Politècnica de Catalunya (UPC), Spain, as well as a lecturer at Elisava School of Design. She has a master’s degree from Columbia University and a doctorate in the Theory and History of Architecture from the UPC, and is a recipient of the SAH/Mellon Author Awards in 2017.

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