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OverviewFull Product DetailsAuthor: Gareth Cordery , Joseph S MeiselPublisher: Ohio State University Press Imprint: Ohio State University Press Dimensions: Width: 16.50cm , Height: 2.50cm , Length: 23.90cm Weight: 0.658kg ISBN: 9780814212530ISBN 10: 0814212530 Pages: 344 Publication Date: 20 June 2014 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsThe Humours of Parliament: Harry Furniss's View of Late-Victorian Political Culture constitutes a valuable addition to scholarship and to our knowledge of Victorian politics and culture. The text and images of Furniss's lectures offer a fascinating, entertaining, and often humorous view of how parliament and politics worked in late nineteenth-century Britain. This volume sheds light on the sometimes mystifying matter of what late Victorians found funny but also has important things to say about political communications and the history of parliament. --James Thompson, Bristol University The Humours of Parliament: Harry Furniss's View of Late-Victorian Political Culture constitutes a valuable addition to scholarship and to our knowledge of Victorian politics and culture. The text and images of Furniss's lectures offer a fascinating, entertaining, and often humorous view of how parliament and politics worked in late nineteenth-century Britain. This volume sheds light on the sometimes mystifying matter of what late Victorians found funny but also has important things to say about political communications and the history of parliament. --James Thompson, Bristol University In their introduction, Gareth Cordery and Joseph S. Meisel rightly describe Furniss as arguably the most significant and prolific British political cartoonist of the late Victorian and Edwardian era. Widely popular at the time, Furniss has been subsequently neglected. The editors show how Furniss embraced the technology of the period by taking advantage of the newly popular magic lantern, adapting his drawing style to suit techniques such as photo-processing and exploiting the potential of the lecture circuit overseas. --Colin Seymour-Ure, Emeritus Professor, University of Kent Author InformationGareth Cordery is a former adjunct fellow in humanities, University of Canterbury (New Zealand). Joseph S. Meisel is Deputy Provost, Brown University. Tab Content 6Author Website:Countries AvailableAll regions |