Awards

• Short-listed for Pacific Northwest Book Awards (PNBA) 2018
• Short-listed for Pacific Northwest Book Awards (PNBA) 2018 (United States)

Overview

Takuichi Fujii (1891-1964) left Japan in 1906 to make his home in Seattle, where he established a business, started a family, and began his artistic practice. When war broke out between the United States and Japan, he and his family were incarcerated along with the more than 100,000 ethnic Japanese located on the West Coast. Sent to detention camps at Puyallup, Washington, and then Minidoka in Idaho, Fujii documented his daily experiences in words and art. The Hope of Another Spring reveals the rare find of a large and heretofore unknown collection of art produced during World War II. The centerpiece of the collection is Fujii's illustrated diary that historian Roger Daniels has called ""the most remarkable document created by a Japanese American prisoner during the wartime incarceration."" Barbara Johns presents Takuichi Fujii's life story and his artistic achievements within the social and political context of the time. Sandy Kita, the artist's grandson, provides translations and an introduction to the diary. The Hope of Another Spring is a significant contribution to Asian American studies, American and regional history, and art history.

Full Product Details

9780295999999

Table of Contents

Reviews

The book and exhibition, together, shed a powerful new light on a troubling chapter in U.S. history. . . . Compelling as both artwork and history. -- Michael Upchurch * Seattle Times * While this book will be of particular interest to institutions in the Northwest (and Chicago), where Fujii was professionally active, it is broadly relevant and widely recommended as American History. Fujii's diary is approachable and intimate documentation of an under-emphasized chapter and perspective, and Barbara Johns brings welcome attention and analysis to this artist and his work. -- Adam Robinson * ARLIS/NA Reviews *

This altogether beautiful book by noted Seattle-based art historian and curator Barbara Johns strikingly testifies to the oft-stated judgment that a picture is worth a thousand words. -- Art Hansen * Nichi Bei Weekly * The book and exhibition, together, shed a powerful new light on a troubling chapter in U.S. history. . . . Compelling as both artwork and history. -- Michael Upchurch * Seattle Times * While this book will be of particular interest to institutions in the Northwest (and Chicago), where Fujii was professionally active, it is broadly relevant and widely recommended as American History. Fujii's diary is approachable and intimate documentation of an under-emphasized chapter and perspective, and Barbara Johns brings welcome attention and analysis to this artist and his work. -- Adam Robinson * ARLIS/NA Reviews *

While this book will be of particular interest to institutions in the Northwest (and Chicago), where Fujii was professionally active, it is broadly relevant and widely recommended as American History. Fujii's diary is approachable and intimate documentation of an under-emphasized chapter and perspective, and Barbara Johns brings welcome attention and analysis to this artist and his work. -- Adam Robinson * ARLIS/NA Reviews * The book and exhibition, together, shed a powerful new light on a troubling chapter in U.S. history. . . . Compelling as both artwork and history. -- Michael Upchurch * Seattle Times * This altogether beautiful book by noted Seattle-based art historian and curator Barbara Johns strikingly testifies to the oft-stated judgment that a picture is worth a thousand words. -- Art Hansen * Nichi Bei Weekly *

Author Information

Barbara Johns, PhD, is a Seattle-based art historian and curator. She is the author of Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita.

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