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Overview"Winner of the 2019 CHOICE Award ""The authoritative book on the origins, history, and influence of illustration. Bravo!"" David Brinley, University of Delaware, USA History of Illustration covers image-making and print history from around the world, spanning from the ancient to the modern. Hundreds of color images show illustrations within their social, cultural, and technical context, while they are ordered from the past to the present. Readers will be able to analyze images for their displayed techniques, cultural standards, and ideas to appreciate the art form. This essential guide is the first history of illustration written by an international team of illustration historians, practitioners, and educators." Full Product DetailsAuthor: Susan Doyle (Rhode Island School of Design, USA) , Jaleen Grove (Visual Literacy Foundation of Canada, CAN) , Whitney Sherman (Maryland Institute College of Art, USA)Publisher: Bloomsbury Publishing PLC Imprint: Fairchild Books Weight: 2.764kg ISBN: 9781501342103ISBN 10: 150134210 Pages: 592 Publication Date: 07 February 2019 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsPreface Acknowledgements Introduction SECTION ONE: ILLUSTRATIVE TRADITIONS IN EUROPE, ASIA and AFRICA 1. Image and Meaning, Prehistory to 1500 by Robert Brinkerhoff and Margot McIlwin Nishimura 2. Illustration in Printed Matter in Early Modern Europe, 1400–1660 by Susan Doyle 3. Pluralistic View of Indian Images: 2nd BCE to the 1990s by Binita Desai and Nina Sabnani 4. Illustrative Traditions in the Muslim Context by Irvin Cemil Schick 5. Chinese Illustration before 1900 by Sonja Kelley and Frances Wood 6. Prints and Books in Japan’s Floating World by Daphne Rosenzweig 7. Illustration in Latin America from Pre-Columbian to Modern 1990s by Maya Stanfield-Mazzi 8. Illustration in the African Context by Bolaji Campbell with contributions by Winifred Lambrecht SECTION TWO: IMAGES AS KNOWLEDGE, IDEAS AS POWER 9. Observation and the Representation of Natural Science Illustration 1450–1900 by Shelley Wall 10. Visualizing Bodies: Anatomical and Medical Illustration from the Renaissance to the nineteenth century by Shelley Wall 11. Dangerous Pictures: Social Commentary in Europe, 1720–1860 by Robert Lovejoy 12. From Reason to Romanticism by Hope Saska SECTION THREE: THE ADVENT OF MASS MEDIA 13. Illustration on British and North American printed ephemera of the Nineteenth and Early Twentieth Centuries by Graham Hudson 14. Illustration in the expansion of the Graphic Journalism, and Magazine Fiction in Europe and North America, 1830–1900 by Brian Kane and Page Knox 15. Beautifying Books and Popularizing Posters: Illustration in the Later Nineteenth Century by Susan Ashbrook and Alison Syme 16. Fantasy and Children’s Book Illustration Nineteenth and early Twentieth-Century England by Alice Carter 17. Six Centuries of Fashion Illustration by Pamela Parmal SECTION FOUR: DIVERGING PATHS IN 20TH CENTURY AMERICAN AND EUROPEAN ILLUSTRATION 18. American Narratives: Periodical Illustration in the Late Nineteenth and Early Twentieth Century by Mary Holahan with contributions by Alice Carter and Joyce Schiller 19. Avant-garde Illustration, 1900–1950 by Jaleen Grove 20. Diverse American Illustration Trends in Periodicals, 1915–1940 by Roger Reed 21. Wartime Imagery and Propaganda, 1890–1950 by Thomas LaPadula 22. Illustrating Alternate Realities in Pulps and Other Popular Fiction by Nicholas Egon Jainschigg with contributions by Robert Lovejoy 23. Overview of Comics and Graphic Narratives by Brian M. Kane with contributions by Loren Goodman and Michelle Nolan SECTION FIVE: THE EVOLUTION OF ILLUSTRATION IN AN ELECTRONIC AGE 24. The Shifting Postwar Marketplace: Illustration Competes with Growing Media Options in the United States and Canada, 1940–1970 by Stephanie Plunkett 25. Children's Book Illustration, 1920–2000 by H. Nichols B. Clark 26. Countercultures: Underground Comix, Rock Posters and Protest Art, 1960–1990 by Robert Lovejoy 27. Print Illustration in the Postmodern World by Whitney Sherman 28. Medical Illustration after Gray’s Anatomy: 1859 to the present by David M. Mazierski 29. Digital Forms by Nanette Hoogslag and Whitney Sherman Bibliography Glossary IndexReviewsBeyond situating illustrations in a time and place as material objects, the book offers practice research methodologies for evaluating visual images, encouraging students to develop the critical skill necessary to bring intellectual rigor to current illustration production. * Journal of the Printing Historical Society * The authoritative book on the origins, history, and influence of illustration. This book will educate and foster mutual respect between designers, fine artists, faculty colleagues, and of course, the illustration students enrolled in contemporary Bachelors of Fine Arts programs. Bravo! -- David Brinley, University of Delaware, USA Highly detailed and thorough. I especially like that the history of illustration of non-western cultures aren't ignored. . .Covers all of the major illustrators and movements. -- Deanna Staffo, Maryland Institute College of Art, USA This book is one of the most thorough histories of illustration that I have seen and it would serve graphic design students well. Its content on non-western cultures far exceeds any comprehensive illustration or design history text available at this time. -- Amanda Horton, University of Central Oklahoma, USA Beyond situating illustrations in a time and place as material objects, the book offers practice research methodologies for evaluating visual images, encouraging students to develop the critical skill necessary to bring intellectual rigor to current illustration production. * Journal of the Printing Historical Society * The authoritative book on the origins, history, and influence of illustration. This book will educate and foster mutual respect between designers, fine artists, faculty colleagues, and of course, the illustration students enrolled in contemporary Bachelors of Fine Arts programs. Bravo! Highly detailed and thorough. I especially like that the history of illustration of non-western cultures aren't ignored. . .Covers all of the major illustrators and movements. This book is one of the most thorough histories of illustration that I have seen and it would serve graphic design students well. Its content on non-western cultures far exceeds any comprehensive illustration or design history text available at this time. This book is probably the first to cover the subject of illustration in such depth, it should be a core study text for most illustration courses I would suggest. Even though it covers a huge amount of ground, it is very well structured and referenced. * Steve Wilkin, University of Central Lancashire, UK * Beyond situating illustrations in a time and place as material objects, the book offers practice research methodologies for evaluating visual images, encouraging students to develop the critical skill necessary to bring intellectual rigor to current illustration production. * Journal of the Printing Historical Society * The authoritative book on the origins, history, and influence of illustration. This book will educate and foster mutual respect between designers, fine artists, faculty colleagues, and of course, the illustration students enrolled in contemporary Bachelors of Fine Arts programs. Bravo! -- David Brinley, University of Delaware, USA Highly detailed and thorough. I especially like that the history of illustration of non-western cultures aren't ignored. . .Covers all of the major illustrators and movements. -- Deanna Staffo, Maryland Institute College of Art, USA This book is one of the most thorough histories of illustration that I have seen and it would serve graphic design students well. Its content on non-western cultures far exceeds any comprehensive illustration or design history text available at this time. -- Amanda Horton, University of Central Oklahoma, USA This book is probably the first to cover the subject of illustration in such depth, it should be a core study text for most illustration courses I would suggest. Even though it covers a huge amount of ground, it is very well structured and referenced. * Steve Wilkin, University of Central Lancashire, UK * The authoritative book on the origins, history, and influence of illustration. This book will educate and foster mutual respect between designers, fine artists, faculty colleagues, and of course, the illustration students enrolled in contemporary Bachelors of Fine Arts programs. Bravo! -- David Brinley, University of Delaware, USA Highly detailed and thorough. I especially like that the history of illustration of non-western cultures aren't ignored. . .Covers all of the major illustrators and movements. -- Deanna Staffo, Maryland Institute College of Art, USA This book is one of the most thorough histories of illustration that I have seen and it would serve graphic design students well. Its content on non-western cultures far exceeds any comprehensive illustration or design history text available at this time. -- Amanda Horton, University of Central Oklahoma, USA Author InformationSusan Doyle is Chair and Associate Professor at Rhode Island School of Design in Providence (RISD), USA. Jaleen Grove is a Post-Doctoral Fellow at the Douglas B. Dowd Modern Graphic History Library at Washington University, USA. Whitney Sherman is Director of the MFA in Illustration Practice at Maryland Institute College of Art (MICA), USA. Tab Content 6Author Website:Countries AvailableAll regions |
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