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OverviewTwo allegorical ancient Greek stories about a young hero’s career- defining choice are shown in this book to have later been appropriated to radically differing effects. E.g. a male’s choice between female personifications can morph into a female’s choice between the same, or between various male personifications. Never before have so many instances of this process from art, literature, music, even landscape gardening, been culled. Illustrations, mainly colour, many brought into this context for the first time, are conveniently incorporated into the text, thus mimetically mirroring a central theme of the book, the process of ‘visualising the verbal, verbalising the visual.’ Full Product DetailsAuthor: Malcolm DaviesPublisher: Brill Imprint: Brill Volume: 24 Dimensions: Width: 15.50cm , Height: 2.40cm , Length: 23.50cm Weight: 0.610kg ISBN: 9789004678941ISBN 10: 9004678948 Pages: 292 Publication Date: 06 September 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsContents Preface List of Illustrations Editions and Translations, Restricted to Heracles at the Crossroads Part 1: Heracles at the Crossroads A Note on Nomenclature 1 Visual Art Introduction Appendix: Reynolds’ Parody Itself Parodied Transition A Precocious Heracles at the Crossroads The Encounter as Dream-Vision Heracles as Christ Christ as Heracles Variations on the Theme Two Iconographically Eccentric Versions: Veronese and Dürer Appendix: Georg Stiernhielm’s Hercules Heracles at the Crossroads in Eighteenth-Century English Landscape Gardening 2 Music Appendix: The Illustrations to Metastasio’s Libretto for Alcide Al Bivio 3 Literature and Drama Prodicus and The Judgement of Paris Appendix: DE SILENO ET CHROMI ET MNASYLO 4 Pleasure and Virtue Reconciled Appendix: Andrew Marvell’s Upon Appleton House 5 Parody and Pastiche Final Reflections on Prodicus’ Heracles at the Crossroads Appendix: Panofsky’s Hercules Am Scheidewege Endnote: The Absence of Visual Depictions of Heracles at the Crossroads from Antiquity Part 2: The Judgement of Paris A Note on Nomenclature 6 The Judgement of Paris: The Story’s Original Form The Story’s Original Form 7 Medieval Literature and Art 8 Renaissance Art Onwards Appendix: Raphael to Manet and Beyond 9 Literature and Drama 10 Music Appendix: ‘The Frost, the Sun, and the Wind’ 11 Parody and Pastiche Endnote: Hogarth’s A Rake’s Progress II: The Rake’s Levée Postscript and Transition Annex 1 Xenophon’s Memorabilia in Modern English Translation 2 Addison’s Translation of Heracles at the Crossroads 3 William Shenstone The Judgement of Hercules 4 Robert Lowth The Choice of Hercules 5 Georg Friedrich Handel The Choice of Hercules 6 James Beattie The Judgement of Paris 7 Thomas Parnell The Judgement of Paris 8 William Congreve Libretto for The Judgement of Paris Richmond Lattimore Hercules at the Crossroads Bibliography IndexReviews""What draws one instantly is the pairing. (...) Davies reminds the reader in a section on ‘Prodicus and the Judgement of Paris’ (101-105) that Sophocles in his lost satyr play, Krisis, and Athenaeus 510C had already drawn the parallels between Heracles and Paris. (...) The writing is clear and crisp and shows an amazing grasp of voluminous amounts of material. His respect, and good-humoured affection, for what he examines is everywhere apparent."" George W.M. Harrison in BMCR 2024.04.27 Author InformationProfessor Malcolm Davies Ph. D. (1979) has spent his entire academic life at Oxford. He has published 10 books and numerous articles on a wide range of Greek literature, most recently a commentary on lesser and anonymous fragments of Greek lyric poetry (2021). Tab Content 6Author Website:Countries AvailableAll regions |
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