Overview

In this visionary book, Murray takes an audacious new look at black music and, in the process, succeeds in changing the way one reads literature. Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences; both place a high value on improvisation; and both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity.  Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues pays homage to a new black aesthetic.

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9780679762201

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Reviews

[Albert Murray] is possessed of the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's Imagination, the gospel singer's depth of feeling. @lt;br@gt;@lt;br@gt;-- The New Yorker@lt;br@gt;@lt;br@gt;In this visionary book, the author of the legendary Stomping the Blues takes an audacious new look at black music and, in the process, succeeds in changing the way we read all literature. Albert Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences. Both place a high value on improvisation. And both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity.@lt;br@gt;@lt;br@gt;Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues is at once an homage and a manifesto for a new blac

[Albert Murray] is possessed of the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's Imagination, the gospel singer's depth of feeling. <br>-- The New Yorker <br>In this visionary book, the author of the legendary Stomping the Blues takes an audacious new look at black music and, in the process, succeeds in changing the way we read all literature. Albert Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences. Both place a high value on improvisation. And both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity. <br>Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues is at once an homage and a manifesto for a new black aesthetic. Erudite, eloquent, appreciative, and iconoclastic, it is further evidence of Murray's ability to turn the essay into a kind of poetry -- as enchanting as it is instructive. <br> The size of his reputation is incommensurate with his quality .... Murray is as close to a classic nineteenth-century man of letters as one might find in this country today. <br>-- Boston Globe

[Albert Murray] is possessed of the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's Imagination, the gospel singer's depth of feeling. <br>-- The New Yorker <br>In this visionary book, the author of the legendary Stomping the Blues takes an audacious new look at black music and, in the process, succeeds in changing the way we read all literature. Albert Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences. Both place a high value on improvisation. And both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity. <br>Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues is at once an homage and a manifesto for a new black aesthetic. Erudite, eloquent, appr

[Albert Murray] is possessed of the poet's language, the novelist's sensibility, the essayist's clarity, the jazzman's Imagination, the gospel singer's depth of feeling. -- The New YorkerIn this visionary book, the author of the legendary Stomping the Blues takes an audacious new look at black music and, in the process, succeeds in changing the way we read all literature. Albert Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences. Both place a high value on improvisation. And both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity.Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues is at once an homage and a manifesto for a new black aesthetic. Erudite, eloquent, appreciative, and iconoclastic, it is further evidence of Murray's ability to turn the essay into a kind of poetry -- as enchanting as it is instructive. The size of his reputation is incommensurate with his quality .... Murray is as close to a classic nineteenth-century man of letters as one might find in this country today. -- Boston Globe

Author Information

Albert Murray is the author of The Omni-Americans, Stomping the Blues, The Hero and the Blues, South to a Very Old Place, Conjugations and Reiterations, and From the Briarpatch File. He is the coauthor of Good Morning Blues: The Autobiography of Count Basie and the coeditor of Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray. He lives in New York City.

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