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9781945820441

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Not a simple Sunday school retelling of scripture, Dahm's ambitious graphic novel grapples with the revolutionary humility of Christ's message, envisioning the cost of fighting evil with nonviolence and compassion. - PUBLISHERS WEEKLY Boldly presents Jesus's trip freeing souls between the Crucifixion and the Resurrection, employing black, white, and red to dramatize the event. - LIBRARY JOURNAL Deeply personal and full of profound ambiguity. - A.V. CLUB Recaptures the moody, mystical, and mythological aspects that have been long lost in Christianity, with riveting imagery that accompanied the tales. - COMICS BEAT

Not a simple Sunday school retelling of scripture, Dahm's ambitious graphic novel grapples with the revolutionary humility of Christ's message, envisioning the cost of fighting evil with nonviolence and compassion. - PUBLISHERS WEEKLY Boldly presents Jesus's trip freeing souls between the Crucifixion and the Resurrection, employing black, white, and red to dramatize the event. - LIBRARY JOURNAL Recaptures the moody, mystical, and mythological aspects that have been long lost in Christianity, with riveting imagery that accompanied the tales. - COMICS BEAT

PRAISE FOR RICE BOY Mythic, surreal, whimsical, colorful, and masterful. -- FOREWORD Starred Review Lush and lovely full-color artwork and deceptively cartoonish figures . . . make Dahm's fantasy adventure easy to get lost in. -- BOOKLIST If you're looking for something new, creative and different, don't miss this excellent series. -- MAJOR SPOILERS Colorful, heartbreaking, and imaginative . . . the effect of Dahm's work is spellbinding. -- THE ABSOLUTE

Author Information

Evan Dahm is a prolific cartoonist, responsible for the epic fantasy adventure stories Rice Boy, Order of Tales, Vattu, and Island Book and its upcoming sequels. He lives in Brooklyn, NY, and is a graduate of Appalachian State University in North Carolina. He has done work for First Second Books, BOOM!, Paradox Space, and Iron Circus Comics, in addition to self-publishing much of his own work since 2006.

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