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OverviewSamuel Beckett's work is deeply concerned with physical contact - remembered, half-remembered, or imagined. Applying the philosophical writings of Jean-Luc Nancy and Maurice Merleau-Ponty that feature sensation, this study examines how Beckett's later work dramatizes moments of contact between self and self, self and world, and self and other. Full Product DetailsAuthor: P. McTighePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.30cm , Length: 21.60cm Weight: 3.648kg ISBN: 9781137276988ISBN 10: 1137276983 Pages: 196 Publication Date: 17 June 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Haptics, Aesthetics, Philosophy 1. Eye: Failing, Myopic, Grainy 2. Ear: Full of Relentless Echoes 3. Mouth: Trying to Tell it All, Failing 4. Skin, Space, Place 5. On the One Hand . . . (The One that Writes the Body) 6. On the Other Hand . . . (The One that Refuses to Touch) Conclusion: Departing Bodies, Between Doubting Thomas and Noli me Tangere ?ReviewsTo come Author InformationTrish McTighe is a teaching assistant in the department of Drama Studies in the School of Creative Arts at Queen s University Belfast. Tab Content 6Author Website:Countries AvailableAll regions |