Overview

The essays in """"The Hand and the Soul"""" explore the question of how ethical ideas guiding the design process - a concern for the environment or for social justice - relate to the beauty of our buildings, cities, and artworks. The book presents a range of viewpoints and does not ignore the perils of an easy association of ethics and aesthetics. Yet, the majority of contributors, among them historians, theorists, as well practicing designers and artists, argue passionately in defense of the idea that the good and the beautiful can and should be able to find a common ground in the design disciplines.The book begins with an exploration of recent difficulties in pairing ethics and aesthetics. Can one effect a philosophical convergence of these elements, or is it dangerous to conflate moral and aesthetic terms? The discussion continues with considerations of the overlap that occurs between the fine arts and the design disciplines, the intersection of aesthetic theory and practice with sustainability and environmental science, and the concept of 'open works' - projects whose design processes are flexible, nonhierarchical, and attuned to the unique features of a particular place or cultural situation. The book concludes with a look at several contrasting ideas developed in the essays and examines ethics as a desire for community, as well as a sense of responsibility, an obligation to contemplate not only what buildings offer us but also what they may take away.In juxtaposing the work of historians and theorists with that of practicing designers and artists, """"The Hand and the Soul"""", whose title is drawn from an essay by American artist Philip Guston, seeks to bridge the divide between theory and practice, between abstract ethical or aesthetic concepts and practical ways of making tangible artifacts. In a field dominated by esoteric studies and, at the other extreme, primarily illustrated works, """"The Hand and the Soul"""" offers a vital discussion that is at once theoretically rigorous and grounded in the practice of art, architecture, landscape architecture, and urbanism.

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9780813927602

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<p>We are living in the age of aestheticization; life styles, architecture, personality, politics and even war are being deliberately aestheticized. At a time when everything is regarded as mere appearance, image, fashion and style, we need to be reminded of the real essence of beauty and its relationship with aesthetic values and judgements, as the thoughtful essays in The Hand and the Soul certainly do.--Juhani Pallasmaa, author of The Thinking Hand: Embodied and Existential Wisdom in Architecture and The Eyes of the Skin: Architecture and the Senses

We are living in the age of aestheticization; life styles, architecture, personality, politics and even war are being deliberately aestheticized. At a time when everything is regarded as mere appearance, image, fashion and style, we need to be reminded of the real essence of beauty and its relationship with aesthetic values and judgements, as the thoughtful essays in The Hand and the Soul certainly do.--Juhani Pallasmaa, author of The Thinking Hand: Embodied and Existential Wisdom in Architecture and The Eyes of the Skin: Architecture and the Senses

<p>We are living in the age of aestheticization; life styles, architecture, personality, politics and even war are being deliberatelyaestheticized. At a time when everything is regarded as mere appearance, image, fashion and style, we need to be reminded of the real essence of beauty and itsrelationship with aesthetic values and judgements, as the thoughtful essays in The Hand and the Soul certainlydo.--Juhani Pallasmaa, author of The Thinking Hand: Embodied andExistential Wisdom in Architecture and The Eyesof the Skin: Architecture and the Senses

Author Information

Sanda Iliescu is Associate Professor of Art and Architecture at the University of Virginia. Her paintings and drawings have been exhibited in the United States and Europe.

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