The Gothic Novel in Ireland, c. 1760–1829

Awards:   Winner of Rhodes Prize for Literature and Language 2019 2019 (UK)
Author:   Christina Morin
Publisher:   Manchester University Press
ISBN:  

9780719099175


Pages:   248
Publication Date:   11 May 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Gothic Novel in Ireland, c. 1760–1829


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Awards

  • Winner of Rhodes Prize for Literature and Language 2019 2019 (UK)

Overview

Full Product Details

Author:   Christina Morin
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.60cm , Length: 21.60cm
Weight:   0.435kg
ISBN:  

9780719099175


ISBN 10:   071909917
Pages:   248
Publication Date:   11 May 2018
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: locating the Irish gothic novel 1. Gothic temporalities: ‘Gothicism’, ‘historicism’, and the overlap of fictional modes from Thomas Leland to Walter Scott 2. Gothic genres: romances, novels, and the classifications of Irish Romantic fiction 3. Gothic geographies: the cartographic consciousness of Irish gothic fiction 4. Gothic materialities: Regina Maria Roche, the Minerva Press, and the bibliographic spread of Irish gothic fiction Conclusion Appendix 1: A working bibliography of Irish gothic fiction, c. 1760–1829 Select bibliography Index -- .

Reviews

'Christina Morin's The gothic novel in Ireland c. 1760-1829 is a significant intervention in the study of Anglo-Irish literature and the gothic tradition. Combining a masterful overview of Romantic era print culture with close readings of hitherto under examined novels, this book suggestively explores the generic interconnectedness between gothic fiction, the national tale and the historical novel. In doing so, it brings to light a much earlier tradition of fiction that emerged from Ireland in the mid-eighteenth century and had a clear impact on the British novelists who followed. As such, The gothic novel in Ireland confidently dispatches long-held views of Irish gothic as a belated phenomenon that emerged in the later nineteenth century. At the same time, Morin delineates acutely the specific conventions and tropes that characterised a distinctively Irish variant of the gothic. Marshalling an impressive range of literary sources, bibliographical evidence and statistical data, Morin provocatively disrupts long-held assumptions about the formative role played by Irish writers at a crucial moment in the history of the novel, making a compelling case for a more nuanced and accurate understanding of the literary relationship between Britain and Ireland during the Romantic century.' Anthony Mandal, Professor of Print and Digital Cultures, Cardiff University -- .


Author Information

Christina Morin is Lecturer in English at the University of Limerick.

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