Overview

Twelve authors shed new light on the true history and enduring mythology of seventeenth- and eighteenth-century pirates in this anthology of scholarly essays. The twelve entries in The Golden Age of Piracy discuss why pirates thrived in the seas of the New World, how pirates operated their plundering ventures, how governments battled piracy, and when and why piracy declined. Separating Hollywood myth from historical fact, these essays bring the real pirates of the Caribbean to life with a level of rigor and insight rarely applied to the subject. The Golden Age of Piracy also delves into the enduring status of pirates as pop culture icons. Audiences have devoured stories about cutthroats such as Blackbeard and Henry Morgan since before Robert Louis Stevenson wrote Treasure Island. By looking at the ideas of gender and sexuality surrounding pirate stories, the renewed interest in hunting for pirate treasure, and the construction of pirate myths, the contributing authors tell a new story about the dangerous men, and a few dangerous women, who terrorized the high seas.

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David Head is a lecturer of history at the University of Central Florida and the author of Privateers of the Americas: Spanish American Privateering from the United States in the Early Republic. David Head is a lecturer of history at the University of Central Florida and the author of Privateers of the Americas: Spanish American Privateering from the United States in the Early Republic. Margarette Lincoln is a visiting fellow at the University of Portsmouth and was deputy director of the National Maritime Museum. She is the author of Trading in War: London's Maritime World in the Age of Cook and Nelson. David Wilson, teacher, scholar, and conductor, is professor emeritus of the Thornton School of Music at the University of Southern California. In addition, he is artistic director/conductor emeritus of the Long Beach Bach Festival and the Camerata Singers of Long Beach. A graduate of the University of the Pacific and University of Illinois, he also studied conducting at the Berkshire Music Festival in Tanglewood, Massachusetts, and the Hochschule f�r Musik in Vienna. As a recognized expert in eighteenth-century music, Dr. Wilson has conducted hundreds of works of Bach, Handel, and their contemporaries. David Colacci has been an actor and a director for over thirty years, performing coast-to-coast in lead roles of plays by a variety of playwrights, from Shakespeare to Sam Shepard to Steve Martin. He has worked as a narrator for over fifteen years, during which time he has read the works of such authors as Jules Verne, Henry Adams, John Irving, Michael Chabon, and John Lescroart. He has won AudioFile Earphones Awards, earned Audie nominations, and been included in Best of the Year lists by such publications as Publishers Weekly, AudioFile magazine, and Library Journal. David was a resident actor/director with the Cleveland Play House for eight years and has been artistic director of the Hope Summer Rep Theater since 1992. He currently lives in New York with his wife, narrator and actress Susan Ericksen, and his children, Mario and Elena.

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