|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Giuseppe Marcocci (Associate Professor in Iberian History, Associate Professor in Iberian History, Official Fellow and Tutor in History, Exeter College, University of Oxford)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.60cm , Height: 2.00cm , Length: 23.90cm Weight: 0.502kg ISBN: 9780198849681ISBN 10: 0198849680 Pages: 226 Publication Date: 23 September 2020 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsList of Illustrations Introduction: Renaissance Historians and the World 1: Genealogical Histories: Forging Antiquities from New Spain to China 2: Histories in Motion: Thinking Back to the Moluccas in a Lisbon Hospital 3: Indigenous Comparisons: A Renaissance Bestseller in the Colonial Andes 4: Popular Accounts: Printing Histories of the World in Late Renaissance Venice 5: Jesuit Missions and Imperial Rivalries: The Twilight of Histories of the World ConclusionsReviews"The Globe on Paper is a superb examination of a collection of texts not usually studied together. In this tight, coherent study centered on sixteenth-century writers' attempts to compose unified narratives out of what at first blush seemed a plurality of pasts, Marcocci offers a valuable reinterpretation of some well-known sixteenth-century histories, presenting a new way of reading the subgenre of Renaissance histories of the world, while elucidating the creativity and innovation that characterized the writing of history during the ""open Renaissance"" of the sixteenth century. * Andrew Devereux, University of California, San Diego, Journal of Modern History *" The Globe on Paper is a superb examination of a collection of texts not usually studied together. In this tight, coherent study centered on sixteenth-century writers' attempts to compose unified narratives out of what at first blush seemed a plurality of pasts, Marcocci offers a valuable reinterpretation of some well-known sixteenth-century histories, presenting a new way of reading the subgenre of Renaissance histories of the world, while elucidating the creativity and innovation that characterized the writing of history during the ""open Renaissance"" of the sixteenth century. * Andrew Devereux, University of California, San Diego, Journal of Modern History * Marcocci takes us on a fascinating journey through sixteenth- and early seventeenthcentury imagination and suggests a new reading of texts that cannot be interpreted by the letter but must rather be understood in their appropriate contexts and ways of thinking about their authors, compilers, and patrons. * Jakub Basista, Renaissance Quarterly * Author InformationGiuseppe Marcocci is Associate Professor in Iberian History (European and Extra-European, 1450-1800) at the University of Oxford and an Official Fellow and Tutor in History at Exeter College. His research interests lie at the intersection of the political and cultural history of the early modern world, with a special focus on Spain, Portugal, and their global empires. Tab Content 6Author Website:Countries AvailableAll regions |