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Author:   Benjamin Schmidt ,  Thijs Weststeijn
Publisher:   Brill
Imprint:   Brill
Volume:   79
Weight:   0.001kg
ISBN:  

9789004705845

ISBN 10:   9004705848
Pages:   314
Publication Date:   15 January 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

List of Illustrations Notes on Contributors 1 Introduction: the Globalization of Netherlandish Art  Benjamin Schmidt and Thijs Weststeijn 2 The Globalization of War and the Globalization of Art in the Netherlands  Thomas DaCosta Kaufmann 3 Images of Brazil and the Tupinambá in Anti-Catholic Netherlandish Art during the Early Modern Period  Maria Berbara 4 Owning the ‘Exotic’: a Case-Study of Images of Africans in Seventeenth-Century Netherlandish Applied and Decorative Arts  Charlotte Hoitsma 5 Rembrandt in Japan/Rembrandt on Japan  Akira Kofuku 6 Depictions of Dutch Ships in Dutch and Japanese Paintings of the Seventeenth and Eighteenth Centuries  Michiko Fukaya 7 Icons, Iconoclasm, Iconic Circuits: Netherlandish Art in the World  Benjamin Schmidt 8 Interior with Monkeys by Willem van Mieris: Images of Porcelain in Eighteenth-Century Paintings and Art Collections  Junko Aono 9 China and Europe, Original and Copy, Narrative and Fiction: Chinoiserie Prints at the Saxon Court  Cordula Bischoff 10 Reflections on Methodology: Remapping Dutch Art in Global Perspective  Julie Berger Hochstrasser Index

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Author Information

Benjamin Schmidt is the Bridgman Professor of History at the University of Washington, where he works at the disciplinary crossroads of cultural history, visual and material studies, and the history of science. His most recent book, Inventing Exoticism: Geography, Globalism, and Europe's Early Modern World, was a finalist for the Kenshur Prize. Thijs Weststeijn is Professor of Art History before 1800 at Utrecht University. He chairs the research project The Dutch Global Age: Worldly Images and Images of the World in Netherlandish Art, funded by the VICI scheme of the Dutch Research Council (2023–2028). His most recent book is De toekomst van het verleden: erfgoed en klimaat (Amsterdam: Prometheus, 2023).

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