The Giallo Canvas: Art, Excess and Horror Cinema

Author:   Alexandra Heller-Nicholas
Publisher:   McFarland & Co Inc
ISBN:  

9781476675398


Pages:   258
Publication Date:   17 February 2021
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Available To Order   Availability explained
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The Giallo Canvas: Art, Excess and Horror Cinema


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Full Product Details

Author:   Alexandra Heller-Nicholas
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.30cm , Length: 22.90cm
Weight:   0.354kg
ISBN:  

9781476675398


ISBN 10:   1476675392
Pages:   258
Publication Date:   17 February 2021
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Acknowledgments ix Introduction 1 One-Art, Cinema, Horror, Excess 7 Two-Giallo: Italy and Beyond 27 Famous Paintings Three-Girls Asleep, Girls Afraid: Vermeer in The Forbidden Room (Anima Persa, 1977) and The Psychic (Sette Note in Nero, 1977) 52 Four-Swan Guts and Screaming Popes: Salvador Dali, Francis Bacon and A Lizard in a Woman's Skin (Una lucertola con la pelle di donna, Lucio Fulci, 1971) 70 Five-The Medusa's Warning: The Stendhal Syndrome (La Sindrome di Stendhal, Dario Argento, 1996) 80 Clues, Presence and Painting Six-Misreading Clues: Dario Argento's The Bird with the Crystal Plumage (L'uccello dalle piume di cristallo, 1970) and Deep Red (Profondo rosso, 1975) 94 Seven-Haunted Portraits: The Red Queen Kills Seven Times (La dama rossa uccide sette volte, Emilio Miraglia, 1972) and Your Vice Is a Locked Room and Only I Have the Key (Il tuo vizio e una stanza chiusa e solo io ne ho la chiave, Sergio Martino, 1972) 105 Eight-Paint Death Clearly: Saint Sebastian and The House with Laughing Windows (La casa dalle finestre che ridono, Pupi Avati, 1976) 117 Painters Nine-A Portrait of an Artist as a Mad Drunk: The Red Headed Corpse (La rossa dalla pelle che scotta, Renzo Russo, 1972) 130 Ten-The Myth of the Mad Genius: Vincent Van Gogh and Blood Delirium (Delirio di sangue, Sergio Bergonzelli, 1988) 136 Eleven-The Ghosts of Capitalism: Art, Labor and Exploitation in A Quiet Place in the Country (Un tranquillo posto di campagna, Elio Petri, 1968) 141 Other Art Forms Twelve-Fashion and Photography 154 Thirteen-Filmmaking 168 Fourteen-Theater and Performance 177 Fifteen-Hybridity 188 Conclusion: Style Is the Substance 207 Chapter Notes 211 Bibliography 231 Index 243

Reviews

A solid title on the giallo films, particularly for those with an interest in art, that inspires further research and collecting. - popcultureshelf.com


Author Information

Alexandra Heller-Nicholas is an award-winning Australian film critic, author and academic who has written eight books on cult, horror and exploitation cinema with an emphasis on gender politics. She is a research fellow at RMIT University and an adjunct professor at Deakin University, both in Melbourne, Australia.

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