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OverviewIt was Carl Dahlhaus who coined the phrase a dead timea (TM) to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethovena (TM)s ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductora (TM)s intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music. Full Product DetailsAuthor: Christopher FifieldPublisher: Ashgate Publishing Group (Digital) Imprint: Ashgate Publishing Limited Edition: New edition ISBN: 9781409452898ISBN 10: 1409452891 Pages: 331 Publication Date: 28 April 2015 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Electronic book text Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviews'... a must-buy for all those interested in 19th century music, specifically the German classical (not programme) symphony as it developed in the half-century between the appearance of Beethoven's 9th in 1824 and Brahms' 1st in 1876. ... reads like a musicological detective story. It is an extremely important contribution to the understanding of the development of the Symphony in the nineteenth century'. www.unsungcomposers.com Author InformationChristopher Fifield is a conductor and music historian with particular interest in British and German nineteenth century orchestral music and opera. His pioneering books include biographies of Max Bruch and Hans Richter, Letters and Diaries of Kathleen Ferrier and a history of Ibbs & Tillett. Tab Content 6Author Website:Countries AvailableAll regions |